World mythology & recorded folktales500 entries / 10 collections
Follow the evidence

Sources, editions & rights.

A register of the texts and institutional references behind the atlas. Each entry links directly to the sources it uses.

The atlas publishes original explanations and modern editorial illustrations. It does not reproduce museum photographs, historic book scans, or passages from modern translations. An online source can be available to read without being licensed for commercial reuse.

We read Project Gutenberg’s license policy: US copyright status is not a worldwide license, and trademark and electronic-edition conditions are separate. Historical translations are references here; their text is not republished. No blanket claim is made about their status in every jurisdiction.

120 source records · Access dates listed with each edition

Project Gutenberg

Theogony, in Hesiod, the Homeric Hymns, and Homerica ↗

Hesiod; translated by Hugh G. Evelyn-White · Ancient poem conventionally dated around 700 BCE; translation 1914; digital edition updated 2020

Edition, attribution & rights
Source date
Ancient poem conventionally dated around 700 BCE; translation 1914; digital edition updated 2020
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Host identifies the historical edition as public domain in the USA. Evelyn-White died in 1924; publication and death dates support expiry under many ordinary copyright terms, but worldwide status is not asserted. The atlas links to the edition and supplies original explanations rather than redistributing its translation, notes, or images.
Attribution
Hesiod; translated by Hugh G. Evelyn-White, Theogony, in Hesiod, the Homeric Hymns, and Homerica; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in How the Greek world takes shape · Prometheus and the stolen fire · Pandora and the unopened question · Two beginnings for Aphrodite · Zeus · Hera · Hades · Athena · Artemis · Hermes · Dionysus · Aphrodite · Prometheus · Gaia / Earth · Typhon / Typhoeus · When gods replace their rulers · Medusa · Pegasus · The Chimera · The Sphinx of Thebes · Cerberus · Ariadne · Hecate · Poseidon · Nike / Victory · Nemesis · Olympus · Tartarus · Promises that bind gods and heroes.

Project Gutenberg

Works and Days, in Hesiod, the Homeric Hymns, and Homerica ↗

Hesiod; translated by Hugh G. Evelyn-White · Ancient poem conventionally dated around 700 BCE; translation 1914; digital edition updated 2020

Edition, attribution & rights
Source date
Ancient poem conventionally dated around 700 BCE; translation 1914; digital edition updated 2020
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Host identifies the historical edition as public domain in the USA. Evelyn-White died in 1924; publication and death dates support expiry under many ordinary copyright terms, but worldwide status is not asserted. The atlas links to the edition and supplies original explanations rather than redistributing its translation, notes, or images.
Attribution
Hesiod; translated by Hugh G. Evelyn-White, Works and Days, in Hesiod, the Homeric Hymns, and Homerica; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Prometheus and the stolen fire · Pandora and the unopened question · Athena · Nemesis.

Project Gutenberg

Homeric Hymn 2 to Demeter ↗

Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White · Individual ancient dates disputed; translation 1914; digital edition updated 2020

Edition, attribution & rights
Source date
Individual ancient dates disputed; translation 1914; digital edition updated 2020
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Host identifies the historical edition as public domain in the USA. Evelyn-White died in 1924; publication and death dates support expiry under many ordinary copyright terms, but worldwide status is not asserted. The atlas links to the edition and supplies original explanations rather than redistributing its translation, notes, or images.
Attribution
Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White, Homeric Hymn 2 to Demeter; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Persephone’s divided year · Zeus · Demeter · Persephone · Hades · Hermes · Eleusis · Hecate.

Project Gutenberg

Homeric Hymn 3 to Apollo ↗

Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White · Individual ancient dates disputed; translation 1914; digital edition updated 2020

Edition, attribution & rights
Source date
Individual ancient dates disputed; translation 1914; digital edition updated 2020
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Host identifies the historical edition as public domain in the USA. Evelyn-White died in 1924; publication and death dates support expiry under many ordinary copyright terms, but worldwide status is not asserted. The atlas links to the edition and supplies original explanations rather than redistributing its translation, notes, or images.
Attribution
Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White, Homeric Hymn 3 to Apollo; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Leto finds a home on Delos · Hera · Artemis · Apollo · Typhon / Typhoeus · Delphi / Pytho · Promises that bind gods and heroes.

Project Gutenberg

Homeric Hymn 4 to Hermes ↗

Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White · Individual ancient dates disputed; translation 1914; digital edition updated 2020

Edition, attribution & rights
Source date
Individual ancient dates disputed; translation 1914; digital edition updated 2020
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Host identifies the historical edition as public domain in the USA. Evelyn-White died in 1924; publication and death dates support expiry under many ordinary copyright terms, but worldwide status is not asserted. The atlas links to the edition and supplies original explanations rather than redistributing its translation, notes, or images.
Attribution
Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White, Homeric Hymn 4 to Hermes; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Hermes steals Apollo’s cattle · Zeus · Apollo · Hermes.

Project Gutenberg

Homeric Hymns 5 and 6 to Aphrodite ↗

Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White · Individual ancient dates disputed; translation 1914; digital edition updated 2020

Edition, attribution & rights
Source date
Individual ancient dates disputed; translation 1914; digital edition updated 2020
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Host identifies the historical edition as public domain in the USA. Evelyn-White died in 1924; publication and death dates support expiry under many ordinary copyright terms, but worldwide status is not asserted. The atlas links to the edition and supplies original explanations rather than redistributing its translation, notes, or images.
Attribution
Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White, Homeric Hymns 5 and 6 to Aphrodite; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Two beginnings for Aphrodite · Aphrodite · Hestia · Promises that bind gods and heroes.

Project Gutenberg

Homeric Hymn 7 to Dionysus ↗

Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White · Individual ancient dates disputed; translation 1914; digital edition updated 2020

Edition, attribution & rights
Source date
Individual ancient dates disputed; translation 1914; digital edition updated 2020
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Host identifies the historical edition as public domain in the USA. Evelyn-White died in 1924; publication and death dates support expiry under many ordinary copyright terms, but worldwide status is not asserted. The atlas links to the edition and supplies original explanations rather than redistributing its translation, notes, or images.
Attribution
Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White, Homeric Hymn 7 to Dionysus; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Dionysus and the pirates · Dionysus.

Project Gutenberg

Short Homeric Hymns 9–33 ↗

Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White · Individual ancient dates disputed; translation 1914; digital edition updated 2020

Edition, attribution & rights
Source date
Individual ancient dates disputed; translation 1914; digital edition updated 2020
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Host identifies the historical edition as public domain in the USA. Evelyn-White died in 1924; publication and death dates support expiry under many ordinary copyright terms, but worldwide status is not asserted. The atlas links to the edition and supplies original explanations rather than redistributing its translation, notes, or images.
Attribution
Anonymous ancient Greek poet(s); translated by Hugh G. Evelyn-White, Short Homeric Hymns 9–33; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Hera · Athena · Artemis · Apollo · Hermes · Dionysus · Gaia / Earth · Heracles · Poseidon · Hephaestus · Hestia.

Project Gutenberg

Iliad ↗

Homer (traditional attribution); translated by Samuel Butler · Ancient epic conventionally dated late eighth or seventh century BCE; translation 1898

Edition, attribution & rights
Source date
Ancient epic conventionally dated late eighth or seventh century BCE; translation 1898
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Butler died in 1902. No translation, illustrations, or editorial apparatus reproduced; the US status is not presented as a worldwide clearance.
Attribution
Homer (traditional attribution); translated by Samuel Butler, Iliad; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Two beginnings for Aphrodite · Aphrodite · Pegasus · The Chimera · Poseidon · Hephaestus · Olympus · Hospitality and guest-friendship · The cost of a remembered name.

Project Gutenberg

Metamorphoses, Books 1–7 ↗

Ovid; translated by Henry Thomas Riley · Latin poem completed around 8 CE; translation first published 1851; digital edition collates nineteenth-century printings

Edition, attribution & rights
Source date
Latin poem completed around 8 CE; translation first published 1851; digital edition collates nineteenth-century printings
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Riley died in 1878. Only ancient narrative facts inform original commentary; no translated wording or illustrations reproduced. The nineteenth-century explanations contain obsolete comparative claims and are not treated as modern scholarship.
Attribution
Ovid; translated by Henry Thomas Riley, Metamorphoses, Books 1–7; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in How the Greek world takes shape · Persephone’s divided year · Persephone · Hades · Prometheus · Deucalion and Pyrrha after the flood · Arachne challenges the goddess of weaving · Actaeon becomes the hunted · Medusa · Medea · Hecate · Nemesis · What survives a changed body?.

The Metropolitan Museum of Art

Greek Gods and Religious Practices ↗

Colette Hemingway and Séan Hemingway · 2003-10-01

Edition, attribution & rights
Source date
2003-10-01
Accessed
2026-11-13
License / use
Copyrighted museum essay; referenced, not reproduced
Rights assessment
No museum prose or object imagery reused. The museum’s image open-access policy is not assumed to cover this essay.
Attribution
Colette Hemingway and Séan Hemingway, Greek Gods and Religious Practices; The Metropolitan Museum of Art.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Zeus.

Project Gutenberg

The Project Gutenberg License ↗

Project Gutenberg Literary Archive Foundation · Live policy; accessed 2026-11-13

Edition, attribution & rights
Source date
Live policy; accessed 2026-11-13
Accessed
2026-11-13
License / use
Policy and trademark terms; linked for rights context
Rights assessment
The policy expressly directs users outside the USA to check local copyright law. A USA public-domain label is not a worldwide commercial license.
Attribution
Project Gutenberg Literary Archive Foundation, The Project Gutenberg License; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in the source policy and editorial methodology.

Hellenic Ministry of Culture

Archaeological Site of Eleusis ↗

Ephorate of Antiquities of West Attica · Undated institutional page; accessed 2026-11-13

Edition, attribution & rights
Source date
Undated institutional page; accessed 2026-11-13
Accessed
2026-11-13
License / use
Copyrighted institutional information; referenced only
Rights assessment
No page prose, photographs, plans, or logos reproduced. Original geographic and historical explanation only.
Attribution
Ephorate of Antiquities of West Attica, Archaeological Site of Eleusis, Hellenic Ministry of Culture.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Eleusis.

Project Gutenberg

Odyssey ↗

Homer (traditional attribution); translated by Samuel Butler · Ancient Greek epic conventionally dated late eighth or seventh century BCE; translation first published 1900; electronic edition updated 2026-11-02

Edition, attribution & rights
Source date
Ancient Greek epic conventionally dated late eighth or seventh century BCE; translation first published 1900; electronic edition updated 2026-11-02
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Butler died in 1902. The historical translation is linked for reference, with no copied translation, notes, or imagery. Its US status is not asserted as worldwide clearance. Butler’s speculative claims about authorship and geography are not adopted as established scholarship.
Attribution
Homer (traditional attribution); translated by Samuel Butler, Odyssey; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Theseus enters the labyrinth · Odysseus in the Cyclops’s cave · Circe changes the returning sailors · Odysseus · Ariadne · Poseidon · Olympus · Ithaca · Hospitality and guest-friendship · What survives a changed body? · Promises that bind gods and heroes · The cost of a remembered name.

Project Gutenberg

Metamorphoses, Books 8–15 ↗

Ovid; translated by Henry Thomas Riley · Latin poem completed around 8 CE; translation 1851; 1893 George Bell reprint digitized in 2008; electronic edition updated 2023-10-28

Edition, attribution & rights
Source date
Latin poem completed around 8 CE; translation 1851; 1893 George Bell reprint digitized in 2008; electronic edition updated 2023-10-28
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Riley died in 1878. Original commentary uses ancient narrative facts without reproducing the translation or illustrations. The host’s US assessment is not a worldwide license. The nineteenth-century explanatory notes are not treated as current scholarship.
Attribution
Ovid; translated by Henry Thomas Riley, Metamorphoses, Books 8–15; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Orpheus tries to recover Eurydice · Daedalus and Icarus take flight · Pygmalion and the living ivory · Atalanta and the three golden apples · Cerberus · What survives a changed body?.

GreekMythology.com, hosting the Perseus Digital Library text

Library and Epitome ↗

Pseudo-Apollodorus (ancient author uncertain); translated by Sir James George Frazer · Greek compilation probably first or second century CE; ending survives through later epitomes; Frazer translation 1921; host text page dated 2026-10-05

Edition, attribution & rights
Source date
Greek compilation probably first or second century CE; ending survives through later epitomes; Frazer translation 1921; host text page dated 2026-10-05
Accessed
2026-11-13
License / use
Host identifies the historical translation as public domain and the Perseus digital text as CC BY-SA 4.0; modern host introductions and notes are copyrighted
Rights assessment
Frazer died in 1941. The atlas supplies original commentary on ancient narrative facts and does not reproduce the translation, digital text, editorial introductions, notes, or imagery. No worldwide copyright clearance is asserted. The host’s modern summaries and Frazer’s comparative theories are not used as evidence for ancient events.
Attribution
Pseudo-Apollodorus (ancient author uncertain); translated by Sir James George Frazer, Library and Epitome; GreekMythology.com, hosting the Perseus Digital Library text.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Perseus and the Gorgon’s head · Theseus enters the labyrinth · Jason gains the Golden Fleece · Atalanta and the three golden apples · Medusa · Pegasus · The Chimera · The Sphinx of Thebes · The Minotaur · Cerberus · Heracles · Medea · Ariadne · Poseidon · Promises that bind gods and heroes.

Project Gutenberg

Georgics, Book 4 ↗

Virgil; translated by James Rhoades · Latin poem published around 29 BCE; nineteenth-century Rhoades translation; electronic edition released 1995 and updated 2021-01-01

Edition, attribution & rights
Source date
Latin poem published around 29 BCE; nineteenth-century Rhoades translation; electronic edition released 1995 and updated 2021-01-01
Accessed
2026-11-13
License / use
Historical translation; public domain in USA according to host
Rights assessment
Rhoades died in 1923. The atlas links the edition and writes original explanations; no translated verse, editorial material, or imagery is reproduced. US public-domain status is not a claim of worldwide clearance. Passage numbers refer to the Latin poem, not the translation’s line count.
Attribution
Virgil; translated by James Rhoades, Georgics, Book 4; Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Orpheus tries to recover Eurydice.

American-Scandinavian Foundation; digitized by Project Gutenberg

The Poetic Edda (1923 translation) ↗

Anonymous Old Norse poets; translated by Henry Adams Bellows (1885–1939) · 1923 translation; medieval poems preserved principally in manuscripts of the thirteenth century

Edition, attribution & rights
Source date
1923 translation; medieval poems preserved principally in manuscripts of the thirteenth century
Accessed
2026-11-13
License / use
Catalog marks the translation public domain in the USA; Project Gutenberg license applies to redistribution of its branded files.
Rights assessment
Reference only. Bellows died in 1939; that fact does not establish unrestricted status in every jurisdiction. Ancient narrative material is retold in original prose; no translation passage, editorial note, or illustration is reproduced. Nineteenth- and early twentieth-century dating judgments are not treated as scholarly consensus.
Attribution
Anonymous, Poetic Edda, Henry Adams Bellows translation, New York: American-Scandinavian Foundation, 1923; Project Gutenberg eBook 73533. Stanza numbering follows this edition.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in A world made from Ymir · Thor fishes for the world-serpent · The theft of Thor’s hammer · The binding of Fenrir · The death of Baldr · The mead of poetry · Ragnarök: destruction and renewal · Odin · Thor · Loki · Freyja · Freyr · Baldr · Týr · Frigg · Fenrir · Jörmungandr · Níðhöggr · Yggdrasil · Asgard · Hel: realm and ruler · Jötunheim · Odin’s ordeal and the runes · Odin’s contest with Vafþrúðnir · Odin between the fires · The builder of Asgard’s wall · Thor in Geirröðr’s stronghold · Skírnir’s embassy to Gerðr · Heimdall · Skaði · Njörðr · Gerðr · Skírnir · Bragi · Hœnir · Víðarr · Váli · The Norns · Ratatoskr · Sleipnir · Valhalla · Bifröst · Mímir · Sif.

Scott, Foresman and Company; digitized by Project Gutenberg

The Younger Edda / Prose Edda (1901 printing) ↗

Snorri Sturluson (1179–1241); translated by Rasmus B. Anderson (1846–1936) · 1901 printing of Anderson’s translation (copyright 1879); medieval work composed in Iceland around the 1220s

Edition, attribution & rights
Source date
1901 printing of Anderson’s translation (copyright 1879); medieval work composed in Iceland around the 1220s
Accessed
2026-11-13
License / use
Catalog marks the translation public domain in the USA; Project Gutenberg license applies to redistribution of its branded files.
Rights assessment
Reference only, with no reproduced translation or images. Territorial status is not inferred from a US label. Anderson’s section numbering and spellings differ from many modern editions; this atlas gives his chapter titles and section numbers and normalizes names in its own prose. His antiquarian theories are not adopted.
Attribution
Snorri Sturluson, The Younger Edda, Rasmus B. Anderson translation, Chicago: Scott, Foresman and Company, 1901 (copyright 1879); Project Gutenberg eBook 18947.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in A world made from Ymir · Thor fishes for the world-serpent · The binding of Fenrir · The death of Baldr · The mead of poetry · Ragnarök: destruction and renewal · Odin · Thor · Loki · Freyja · Freyr · Baldr · Týr · Frigg · Fenrir · Jörmungandr · Níðhöggr · Yggdrasil · Asgard · Hel: realm and ruler · Jötunheim · The abduction and return of Iðunn · The builder of Asgard’s wall · Thor at Útgarða-Loki’s hall · Thor in Geirröðr’s stronghold · Thor’s duel with Hrungnir · Loki’s wager with the dwarfs · Skírnir’s embassy to Gerðr · Heimdall · Iðunn · Skaði · Njörðr · Gerðr · Skírnir · Bragi · Hœnir · Víðarr · Váli · The Norns · Ratatoskr · Sleipnir · Valhalla · Bifröst · Mímir · Sif · Kvasir.

Árni Magnússon Institute for Icelandic Studies

New Electronic Edition of the Codex Regius of the Poetic Edda ↗

Árni Magnússon Institute for Icelandic Studies · 2024-11-13

Edition, attribution & rights
Source date
2024-11-13
Accessed
2026-11-13
License / use
No open reuse license asserted for the institutional article.
Rights assessment
Linked as authoritative manuscript context; only bibliographic facts summarized. No article prose, photographs, manuscript images, or transcriptions reproduced.
Attribution
Árni Magnússon Institute for Icelandic Studies, “New Electronic Edition of the Codex Regius of the Poetic Edda,” 13 November 2024.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The theft of Thor’s hammer.

Utrecht University Library, Special Collections

The Codex Trajectinus of the Prose Edda ↗

Bart Jaski · June 2025

Edition, attribution & rights
Source date
June 2025
Accessed
2026-11-13
License / use
No open reuse license asserted for the article or manuscript photography.
Rights assessment
Linked for manuscript history and bibliographic facts; no prose or images reproduced.
Attribution
Bart Jaski, “The Codex Trajectinus of the Prose Edda,” Utrecht University Library, June 2025.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Asgard.

Project Gutenberg

The Project Gutenberg License ↗

Project Gutenberg Literary Archive Foundation · Current policy page; no publication date displayed

Edition, attribution & rights
Source date
Current policy page; no publication date displayed
Accessed
2026-11-13
License / use
Project Gutenberg License; includes trademark and territorial conditions.
Rights assessment
Used to document why a US public-domain catalog notice is not a worldwide commercial reuse clearance. This atlas links to the editions but does not distribute Gutenberg eBook files.
Attribution
Project Gutenberg, “The Project Gutenberg License,” accessed 13 November 2026.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in the source policy and editorial methodology.

Samfund til udgivelse af gammel nordisk litteratur; digital text hosted by Heimskringla.no

Ynglinga saga, Finnur Jónsson’s Old Norse edition ↗

Attributed to Snorri Sturluson (1179–1241); edited by Finnur Jónsson (1858–1934) · Medieval Icelandic work, early thirteenth century; Finnur Jónsson’s Heimskringla I–IV published 1893–1900

Edition, attribution & rights
Source date
Medieval Icelandic work, early thirteenth century; Finnur Jónsson’s Heimskringla I–IV published 1893–1900
Accessed
2026-11-13
License / use
Historical primary text consulted for original commentary. No blanket license for the modern website or its transcription is asserted.
Rights assessment
No Old Norse text, translation, editorial apparatus, or image reproduced. The medieval narrative is explained in original prose. Historical publication and editor death dates do not by themselves establish worldwide unrestricted reuse of the digital edition.
Attribution
Snorri Sturluson, Ynglinga saga, in Heimskringla: Nóregs konunga sǫgur, edited by Finnur Jónsson, 1893–1900, volume I; Heimskringla.no transcription labelled FJ 1900. Chapter numbers follow that edition.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Skaði · Njörðr · Gerðr · Hœnir · Mímir · Kvasir.

Project Gutenberg; original publisher Kegan Paul, Trench, Trübner & Co.

Legends of the Gods: The Egyptian Texts, edited with Translations ↗

E. A. Wallis Budge (1857–1934) · 1912; digital edition updated 2021

Edition, attribution & rights
Source date
1912; digital edition updated 2021
Accessed
2026-11-13
License / use
Historical edition; unrestricted under US copyright according to the ebook notice.
Rights assessment
1912 publication and author death in 1934 are documented; ordinary life-plus-70 terms have elapsed. Gutenberg does not certify worldwide status. No translation, illustrations, or ebook package redistributed. Old readings and colonial assumptions are not adopted as current scholarship.
Attribution
E. A. Wallis Budge (1857–1934). Legends of the Gods: The Egyptian Texts, edited with Translations. 1912; digital edition updated 2021. Project Gutenberg; original publisher Kegan Paul, Trench, Trübner & Co..
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Creation in more than one voice · Isis and the secret name of Ra · The red beer that stops destruction · Ra: the sun as a changing divine power · Atum: completeness before unfolding · Isis: a goddess whose actions make a difference · Horus: the heir, the child, and the injured eye · Hathor: danger, pleasure, and repair · Thoth: writing, judgment, and effective speech · Nun: waters before the differentiated world · Maat: the right order and the work of judgment · Bentresh and the god who must go home · Isis and the seven scorpions · Horus is poisoned and the sun stands still · Apep: the enemy who must be overcome again · Bennu: renewal in the form of a bird · Serqet: protection at the edge of poison · Khnum: making bodies and sustaining a land · Bes: a protective face close to daily life · Sekhmet: dangerous strength turned toward healing · Geb: earth, inheritance, and adjudication · Nut: the sky that carries and gives birth · Shu: the work of holding space open · Tefnut: a first companion in creation.

Project Gutenberg

The Project Gutenberg License ↗

Project Gutenberg Literary Archive Foundation · Undated policy; consulted 2026-11-13

Edition, attribution & rights
Source date
Undated policy; consulted 2026-11-13
Accessed
2026-11-13
License / use
Project Gutenberg license and trademark terms.
Rights assessment
US status is not a worldwide commercial-use license. Reference links are acknowledgements, not redistribution of an ebook.
Attribution
Project Gutenberg Literary Archive Foundation. The Project Gutenberg License. Undated policy; consulted 2026-11-13. Project Gutenberg.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in the source policy and editorial methodology.

The Open Court 1903, issue 8, article 2; Southern Illinois University repository

The Philosophy of a Memphite Priest, with a Reproduction of the Memphite Slab ↗

James Henry Breasted (1865–1935) · 1903

Edition, attribution & rights
Source date
1903
Accessed
2026-11-13
License / use
Historical scholarly edition; public-domain term assessment, not a worldwide license.
Rights assessment
The 1903 work and author death in 1935 are beyond US publication and ordinary life-plus-70 terms. No facsimile or translated wording reproduced. Early dating arguments are treated as historical interpretations, not established facts.
Attribution
James Henry Breasted (1865–1935). The Philosophy of a Memphite Priest, with a Reproduction of the Memphite Slab. 1903. The Open Court 1903, issue 8, article 2; Southern Illinois University repository.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in the source policy and editorial methodology.

The Open Court; scan hosted by New Syllabus

The Philosophy of a Memphite Priest: historical text and translation ↗

James Henry Breasted · 1903; scan hosted 2021

Edition, attribution & rights
Source date
1903; scan hosted 2021
Accessed
2026-11-13
License / use
Historical public-domain edition; scan used for consultation only.
Rights assessment
Ancient text and old translation consulted; neither scan nor illustrations reused. Author died 1935. Modern hosting is not itself a rights grant.
Attribution
James Henry Breasted. The Philosophy of a Memphite Priest: historical text and translation. 1903; scan hosted 2021. The Open Court; scan hosted by New Syllabus.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Creation in more than one voice · Atum: completeness before unfolding · Ptah: making through thought and speech · Seth: disruption with more than one outcome · Nephthys: the second mourner is not incidental · Memphis: a city, a temple, and a claim about creation · Geb: earth, inheritance, and adjudication.

The Trustees of the British Museum

Hieroglyphs: Unlocking Ancient Egypt — large-print guide ↗

British Museum · 2022

Edition, attribution & rights
Source date
2022
Accessed
2026-11-13
License / use
Copyright retained; no commercial reuse license assumed.
Rights assessment
Used for object identification and dating of EA498 only. No museum image or guide text reproduced.
Attribution
British Museum. Hieroglyphs: Unlocking Ancient Egypt — large-print guide. 2022. The Trustees of the British Museum.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Creation in more than one voice · Ptah: making through thought and speech · Memphis: a city, a temple, and a claim about creation · Geb: earth, inheritance, and adjudication.

University College London

Gods and goddesses in Ancient Egypt: creation ↗

Digital Egypt for Universities · Undated page in the Digital Egypt project

Edition, attribution & rights
Source date
Undated page in the Digital Egypt project
Accessed
2026-11-13
License / use
Copyright University College London; all rights reserved.
Rights assessment
Consulted for scholarly cautions about reconstructing creation accounts and uncertain origins. No text or images reused.
Attribution
Digital Egypt for Universities. Gods and goddesses in Ancient Egypt: creation. Undated page in the Digital Egypt project. University College London.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Creation in more than one voice · Atum: completeness before unfolding · Nun: waters before the differentiated world.

Legends of the Gods, chapter V

Great Hymn to Osiris on the stela of Amenmose, Louvre C286 ↗

Ancient Egyptian author unknown; historical translation edited by E. A. Wallis Budge · Ancient stela: Eighteenth Dynasty, approximately 1550–1295 BCE; edition 1912

Edition, attribution & rights
Source date
Ancient stela: Eighteenth Dynasty, approximately 1550–1295 BCE; edition 1912
Accessed
2026-11-13
License / use
Ancient composition; historical edition terms as for eg-budge-legends.
Rights assessment
Original explanation of the ancient hymn. No quotation or image of the stela reused. Budge’s broad claims about an original African religion are not repeated.
Attribution
Ancient Egyptian author unknown; historical translation edited by E. A. Wallis Budge. Great Hymn to Osiris on the stela of Amenmose, Louvre C286. Ancient stela: Eighteenth Dynasty, approximately 1550–1295 BCE; edition 1912. Legends of the Gods, chapter V.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Osiris: loss, care, and a disputed inheritance · Osiris: a ruler among the dead · Isis: a goddess whose actions make a difference.

Legends of the Gods, chapter IX

On Isis and Osiris, sections 12–20 and 35–39 ↗

Plutarch; historical English version in E. A. Wallis Budge · Plutarch: approximately early second century CE; edition 1912

Edition, attribution & rights
Source date
Plutarch: approximately early second century CE; edition 1912
Accessed
2026-11-13
License / use
Ancient work; historical edition terms as for eg-budge-legends.
Rights assessment
Consulted as a Greek-language Roman-period interpretation, not as a transparent record of every Egyptian period. No translated text reproduced.
Attribution
Plutarch; historical English version in E. A. Wallis Budge. On Isis and Osiris, sections 12–20 and 35–39. Plutarch: approximately early second century CE; edition 1912. Legends of the Gods, chapter IX.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Osiris: loss, care, and a disputed inheritance · Osiris: a ruler among the dead · Isis: a goddess whose actions make a difference · Seth: disruption with more than one outcome · Nephthys: the second mourner is not incidental · Anubis: attending to the dead · Abydos: being near Osiris · Neith: an authoritative voice beyond the courtroom · Nut: the sky that carries and gives birth.

Bibliotheca Alexandrina, Digital Library of Inscriptions and Calligraphies

The Contending of Horus and Seth, Papyrus Chester Beatty I ↗

Ancient author unknown; online page cites M. Lichtheim and W. K. Simpson · Manuscript: Twentieth Dynasty, approximately twelfth century BCE; web date not stated

Edition, attribution & rights
Source date
Manuscript: Twentieth Dynasty, approximately twelfth century BCE; web date not stated
Accessed
2026-11-13
License / use
Modern translation copyright; no open reuse license identified.
Rights assessment
Ancient narrative events consulted; original English explanation only. The page lists Lichtheim 1976 and Simpson 2003, without unambiguously assigning this translation to an individual. No quotation or image reused.
Attribution
Ancient author unknown; online page cites M. Lichtheim and W. K. Simpson. The Contending of Horus and Seth, Papyrus Chester Beatty I. Manuscript: Twentieth Dynasty, approximately twelfth century BCE; web date not stated. Bibliotheca Alexandrina, Digital Library of Inscriptions and Calligraphies.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Horus and Seth go to judgment · Isis: a goddess whose actions make a difference · Horus: the heir, the child, and the injured eye · Seth: disruption with more than one outcome · Hathor: danger, pleasure, and repair · Thoth: writing, judgment, and effective speech · Maat: the right order and the work of judgment · Neith: an authoritative voice beyond the courtroom.

University College London

Manuscripts from Deir el-Medina ↗

Digital Egypt for Universities · Undated page in the Digital Egypt project

Edition, attribution & rights
Source date
Undated page in the Digital Egypt project
Accessed
2026-11-13
License / use
Copyright University College London; no reuse license assumed.
Rights assessment
Consulted for the manuscript group and Chester Beatty I context; no text or imagery reproduced.
Attribution
Digital Egypt for Universities. Manuscripts from Deir el-Medina. Undated page in the Digital Egypt project. University College London.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Horus and Seth go to judgment.

Project Gutenberg; Methuen historical edition

Egyptian Tales, Second Series: Anpu and Bata ↗

W. M. Flinders Petrie (1853–1942) · 1895; second edition 1913; ebook updated 2012

Edition, attribution & rights
Source date
1895; second edition 1913; ebook updated 2012
Accessed
2026-11-13
License / use
Historical edition unrestricted in the US; no worldwide rights guarantee.
Rights assessment
Petrie died in 1942; ordinary life-plus-70 terms have elapsed. Original narrative explanation only. Tristram Ellis illustrations not used; comparative speculations and dated social hierarchies not adopted.
Attribution
W. M. Flinders Petrie (1853–1942). Egyptian Tales, Second Series: Anpu and Bata. 1895; second edition 1913; ebook updated 2012. Project Gutenberg; Methuen historical edition.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The Two Brothers: a life hidden outside the body · The prince threatened by three fates · Setne and the book that should be returned.

University of California San Diego faculty website

Egyptian Tales, First Series: The Shipwrecked Sailor ↗

W. M. Flinders Petrie; online edition prepared by David K. Jordan · Historical volume: 1895/1899; web edition modified 2012-11-24

Edition, attribution & rights
Source date
Historical volume: 1895/1899; web edition modified 2012-11-24
Accessed
2026-11-13
License / use
Historical translation; modern formatting and commentary not licensed for reuse.
Rights assessment
Consulted for the narrative; checked against Nederhof because historical readings differ. No text, illustrations, or modern editorial presentation reused.
Attribution
W. M. Flinders Petrie; online edition prepared by David K. Jordan. Egyptian Tales, First Series: The Shipwrecked Sailor. Historical volume: 1895/1899; web edition modified 2012-11-24. University of California San Diego faculty website.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The Shipwrecked Sailor and the generous serpent.

University of St Andrews faculty-hosted Egyptian corpus

Shipwrecked Sailor: hieroglyphic text, transliteration and translation ↗

Mark-Jan Nederhof, following A. M. Blackman and other editions · English translation last modified 2015-01-24; compilation 2015

Edition, attribution & rights
Source date
English translation last modified 2015-01-24; compilation 2015
Accessed
2026-11-13
License / use
No commercial reuse license assumed for modern translation or layout.
Rights assessment
Consulted to check ancient line numbers and the ending omitted or misread in early translations. Original explanation only; no translation or glyph plates reproduced.
Attribution
Mark-Jan Nederhof, following A. M. Blackman and other editions. Shipwrecked Sailor: hieroglyphic text, transliteration and translation. English translation last modified 2015-01-24; compilation 2015. University of St Andrews faculty-hosted Egyptian corpus.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The Shipwrecked Sailor and the generous serpent.

Project Gutenberg; Kegan Paul historical edition

Egyptian Ideas of the Future Life ↗

E. A. Wallis Budge · 1899; third edition 1908; ebook updated 2024

Edition, attribution & rights
Source date
1899; third edition 1908; ebook updated 2024
Accessed
2026-11-13
License / use
Historical edition unrestricted in the US; no worldwide guarantee.
Rights assessment
Author died 1934; ordinary life-plus-70 terms have elapsed. Used for embedded ancient texts, particularly Book of the Dead 125. Budge’s monotheistic framework and judgments about Egyptian culture are rejected as dated interpretation; no illustrations or wording reproduced.
Attribution
E. A. Wallis Budge. Egyptian Ideas of the Future Life. 1899; third edition 1908; ebook updated 2024. Project Gutenberg; Kegan Paul historical edition.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Osiris: a ruler among the dead · Nephthys: the second mourner is not incidental · Anubis: attending to the dead · Maat: the right order and the work of judgment · Ammit: the consequence beside the scales · Bennu: renewal in the form of a bird · Khnum: making bodies and sustaining a land · Heket: helping a life arrive · Meskhenet: birth, identity, and a future announced · The Field of Reeds: a life with water and grain.

The Metropolitan Museum of Art

Ancient Egyptian Amulets ↗

Isabel Stünkel · 2019-02-01

Edition, attribution & rights
Source date
2019-02-01
Accessed
2026-11-13
License / use
Copyright retained; essay is not assumed to be CC0.
Rights assessment
Used as a scholarly reference for the wedjat eye and funerary amulets. Museum open-access image status does not automatically apply to essays. No imagery or prose reused.
Attribution
Isabel Stünkel. Ancient Egyptian Amulets. 2019-02-01. The Metropolitan Museum of Art.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Horus and Seth go to judgment · Horus: the heir, the child, and the injured eye · Hathor: danger, pleasure, and repair · Thoth: writing, judgment, and effective speech · The djed: giving stability a visible form.

University College London

Abydos ↗

Digital Egypt for Universities · 2000

Edition, attribution & rights
Source date
2000
Accessed
2026-11-13
License / use
Copyright University College London; all rights reserved.
Rights assessment
Used for the archaeological and cultic history of the site; no map or image reused.
Attribution
Digital Egypt for Universities. Abydos. 2000. University College London.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Osiris: a ruler among the dead · Abydos: being near Osiris.

University College London

Memphis: background information ↗

Digital Egypt for Universities · Undated page; bibliography includes 2001

Edition, attribution & rights
Source date
Undated page; bibliography includes 2001
Accessed
2026-11-13
License / use
Copyright University College London; no open reuse license assumed.
Rights assessment
Used for site location and the Ptah cult. No map, illustration, or original prose reused.
Attribution
Digital Egypt for Universities. Memphis: background information. Undated page; bibliography includes 2001. University College London.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Ptah: making through thought and speech · Memphis: a city, a temple, and a claim about creation.

Museo Egizio, Turin

Papyrus Cat.1993: the legend of Isis and the secret name of Ra ↗

Museo Egizio · Twentieth Dynasty, museum range 1190–1077 BCE; online record date not stated

Edition, attribution & rights
Source date
Twentieth Dynasty, museum range 1190–1077 BCE; online record date not stated
Accessed
2026-11-13
License / use
Museum copyright; no commercial asset reuse license assumed.
Rights assessment
Object identification, dating and uncertain provenance consulted. No papyrus image, scan, or catalogue prose reproduced.
Attribution
Museo Egizio, Turin. Papyrus Cat.1993. Collection record.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Isis and the secret name of Ra.

Project Gutenberg; Methuen historical edition

Egyptian Tales, First Series: Tales of the Magicians ↗

W. M. Flinders Petrie (1853–1942) · 1895; second edition 1899; ebook updated 2016

Edition, attribution & rights
Source date
1895; second edition 1899; ebook updated 2016
Accessed
2026-11-13
License / use
Historical edition; Project Gutenberg identifies US public-domain status. No worldwide license asserted.
Rights assessment
Historical translation consulted against modern institutional records. Its obsolete manuscript dating and speculative commentary are not adopted. No ebook or illustrations redistributed.
Attribution
W. M. Flinders Petrie (1853–1942). Egyptian Tales, First Series: Tales of the Magicians. Project Gutenberg; Methuen historical edition. 1895; second edition 1899; ebook updated 2016.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Djadjaemankh folds a lake · Dedi refuses the king’s experiment · The secret birth of three kings · Khnum: making bodies and sustaining a land · Heket: helping a life arrive · Meskhenet: birth, identity, and a future announced · Heka: effective power in words, bodies, and objects.

University College London

Egyptian Literary Compositions: Tales at the court of king Khufu ↗

Digital Egypt for Universities · Undated educational page; consulted 2026

Edition, attribution & rights
Source date
Undated educational page; consulted 2026
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Used for surviving manuscripts, literary setting, and preservation limits; no modern translation or page content copied.
Attribution
Digital Egypt for Universities. Egyptian Literary Compositions: Tales at the court of king Khufu. University College London. Undated educational page; consulted 2026.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Djadjaemankh folds a lake · Dedi refuses the king’s experiment · The secret birth of three kings · The ba: identity able to move.

University College London

Museum: House of Life — appreciating the single object ↗

Digital Egypt for Universities · Undated educational page; consulted 2026

Edition, attribution & rights
Source date
Undated educational page; consulted 2026
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Used to check identification of the Westcar pendant and the distinction between price and attachment. No images or prose reused.
Attribution
Digital Egypt for Universities. Museum: House of Life — appreciating the single object. University College London. Undated educational page; consulted 2026.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Djadjaemankh folds a lake.

University of Cambridge / Fitzwilliam Museum

Cambridgewordfest previews at Fitzwilliam Museum ↗

University of Cambridge · 2006-04-19

Edition, attribution & rights
Source date
2006-04-19
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Institutional account confirms the missing ending and the dog pursuit. Consulted for facts; no prose reproduced.
Attribution
University of Cambridge. Cambridgewordfest previews at Fitzwilliam Museum. University of Cambridge / Fitzwilliam Museum. 2006-04-19.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The prince threatened by three fates.

Musée du Louvre

Stèle de Bakhtan, E 13481 / C 284 ↗

Musée du Louvre, Département des Antiquités égyptiennes · Catalogue gives Dynasty 21 tentatively and notes Persian or Ptolemaic alternatives; page consulted 2026

Edition, attribution & rights
Source date
Catalogue gives Dynasty 21 tentatively and notes Persian or Ptolemaic alternatives; page consulted 2026
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Dating disagreement and findspot preserved explicitly. The photograph has separate named rights and is not reproduced.
Attribution
Musée du Louvre, Département des Antiquités égyptiennes. Stèle de Bakhtan, E 13481 / C 284. Musée du Louvre. Catalogue gives Dynasty 21 tentatively and notes Persian or Ptolemaic alternatives; page consulted 2026.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Bentresh and the god who must go home.

The Metropolitan Museum of Art

Magical Stela with Horus the Child, 50.85 ↗

Department of Egyptian Art · Object 360–343 BCE; undated catalogue page

Edition, attribution & rights
Source date
Object 360–343 BCE; undated catalogue page
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Object metadata and curatorial interpretation consulted. Image public-domain label does not license all webpage text; no asset or translation reproduced.
Attribution
Department of Egyptian Art. Magical Stela with Horus the Child, 50.85. The Metropolitan Museum of Art. Object 360–343 BCE; undated catalogue page.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Isis and the seven scorpions · Horus is poisoned and the sun stands still · Bes: a protective face close to daily life · Heka: effective power in words, bodies, and objects.

Ancient Egyptian Literature III (1980), pp. 127–138; Attalus

The First Tale of Setne Khamwas: Setne and Naneferkaptah ↗

Miriam Lichtheim (translator); Attalus web edition · 1980 translation; web page 2020-02-15

Edition, attribution & rights
Source date
1980 translation; web page 2020-02-15
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Modern translation consulted to check material abridged by Petrie, especially Tabubu and the ending. Copyright retained; no translated wording reproduced.
Attribution
Miriam Lichtheim (translator); Attalus web edition. The First Tale of Setne Khamwas: Setne and Naneferkaptah. Ancient Egyptian Literature III (1980), pp. 127–138; Attalus. 1980 translation; web page 2020-02-15.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Setne and the book that should be returned · Heka: effective power in words, bodies, and objects.

University College London

Childbirth ↗

Digital Egypt for Universities · Undated educational page; consulted 2026

Edition, attribution & rights
Source date
Undated educational page; consulted 2026
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Used for birth bricks, birth imagery, and limits of archaeological inference. No images or modern wording reused.
Attribution
Digital Egypt for Universities. Childbirth. University College London. Undated educational page; consulted 2026.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Heket: helping a life arrive · Meskhenet: birth, identity, and a future announced · Taweret: a formidable body for protection.

University College London

Horus stelae ↗

Digital Egypt for Universities · Undated educational page; bibliography includes 1999

Edition, attribution & rights
Source date
Undated educational page; bibliography includes 1999
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Includes primary incantations in modern translation and object history. Paraphrased for commentary; not presented as medical instructions.
Attribution
Digital Egypt for Universities. Horus stelae. University College London. Undated educational page; bibliography includes 1999.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Sekhmet: dangerous strength turned toward healing · Heka: effective power in words, bodies, and objects.

University College London

Ancient Egypt — the House of Life: textual sources ↗

Digital Egypt for Universities, following Alan H. Gardiner · Based on Gardiner 1938; undated educational page

Edition, attribution & rights
Source date
Based on Gardiner 1938; undated educational page
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Used for numbered ancient attestations and institutional context. Modern translated passages are not reproduced.
Attribution
Digital Egypt for Universities, following Alan H. Gardiner. Ancient Egypt — the House of Life: textual sources. University College London. Based on Gardiner 1938; undated educational page.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Apep: the enemy who must be overcome again · Khnum: making bodies and sustaining a land · Heka: effective power in words, bodies, and objects.

The Metropolitan Museum of Art

Amulet with twinned Bes-images, 23.6.36 ↗

Department of Egyptian Art · Object ca. 1300–700 BCE; undated catalogue page

Edition, attribution & rights
Source date
Object ca. 1300–700 BCE; undated catalogue page
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Curatorial interpretation retains its uncertainty about household use. No image or catalogue prose copied.
Attribution
Department of Egyptian Art. Amulet with twinned Bes-images, 23.6.36. The Metropolitan Museum of Art. Object ca. 1300–700 BCE; undated catalogue page.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Bes: a protective face close to daily life.

The Metropolitan Museum of Art

Hatnefer’s Chair, 36.3.152 ↗

Department of Egyptian Art · Object ca. 1491–1473 BCE; undated catalogue page

Edition, attribution & rights
Source date
Object ca. 1491–1473 BCE; undated catalogue page
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Excavated context and protective decoration consulted. No photograph or prose reproduced.
Attribution
Department of Egyptian Art. Hatnefer’s Chair, 36.3.152. The Metropolitan Museum of Art. Object ca. 1491–1473 BCE; undated catalogue page.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Bes: a protective face close to daily life · The djed: giving stability a visible form.

The Metropolitan Museum of Art

Scarab with Representations of Taweret and Hathor, 04.2.570 ↗

Department of Egyptian Art · Object ca. 1080–664 BCE; undated catalogue page

Edition, attribution & rights
Source date
Object ca. 1080–664 BCE; undated catalogue page
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
The museum identifies Taweret tentatively. Image download is restricted on this page; no imagery reused.
Attribution
Department of Egyptian Art. Scarab with Representations of Taweret and Hathor, 04.2.570. The Metropolitan Museum of Art. Object ca. 1080–664 BCE; undated catalogue page.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Taweret: a formidable body for protection.

The Metropolitan Museum of Art

Djed pillar amulet, 10.130.1814 ↗

Department of Egyptian Art · Object ca. 1080–30 BCE; undated catalogue page

Edition, attribution & rights
Source date
Object ca. 1080–30 BCE; undated catalogue page
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Object, material, and funerary use consulted. No catalogue text or image copied.
Attribution
Department of Egyptian Art. Djed pillar amulet, 10.130.1814. The Metropolitan Museum of Art. Object ca. 1080–30 BCE; undated catalogue page.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The djed: giving stability a visible form.

The Metropolitan Museum of Art

Scarab with Ba bird and nefer, 04.2.327 ↗

Department of Egyptian Art · Object ca. 721–525 BCE; undated catalogue page

Edition, attribution & rights
Source date
Object ca. 721–525 BCE; undated catalogue page
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Used for this specific iconographic combination, not a universal anatomy of the soul. No image or prose reproduced.
Attribution
Department of Egyptian Art. Scarab with Ba bird and nefer, 04.2.327. The Metropolitan Museum of Art. Object ca. 721–525 BCE; undated catalogue page.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The ba: identity able to move.

The Metropolitan Museum of Art

The Art of Medicine in Ancient Egypt ↗

Department of Egyptian Art · 2005–2006 exhibition

Edition, attribution & rights
Source date
2005–2006 exhibition
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Used for Sekhmet’s destructive and protective associations and the healing-stela context. Historical belief is not medical advice; no prose or imagery reused.
Attribution
Department of Egyptian Art. The Art of Medicine in Ancient Egypt. The Metropolitan Museum of Art. 2005–2006 exhibition.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Sekhmet: dangerous strength turned toward healing.

University College London

Book of the Dead Chapter 17 ↗

Digital Egypt for Universities; text after Naville, sections after T. G. Allen · Modern educational edition following Allen 1974; undated page

Edition, attribution & rights
Source date
Modern educational edition following Allen 1974; undated page
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
A composite edition from multiple manuscripts, not a transcription of one papyrus. Ancient identifications paraphrased with section numbers; no modern translation copied.
Attribution
Digital Egypt for Universities; text after Naville, sections after T. G. Allen. Book of the Dead Chapter 17. University College London. Modern educational edition following Allen 1974; undated page.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Apep: the enemy who must be overcome again · Ammit: the consequence beside the scales · Shu: the work of holding space open · Tefnut: a first companion in creation · The Duat: a passage through hidden worlds · The ba: identity able to move.

University College London

Cat in religion ↗

Digital Egypt for Universities · Undated educational page; consulted 2026

Edition, attribution & rights
Source date
Undated educational page; consulted 2026
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Used for the Ra-as-cat image accompanying Book of the Dead 17; no images or modern prose copied.
Attribution
Digital Egypt for Universities. Cat in religion. University College London. Undated educational page; consulted 2026.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Apep: the enemy who must be overcome again.

The Metropolitan Museum of Art

Amduat papyrus inscribed for Gautsoshen, 25.3.31 ↗

Department of Egyptian Art · Object ca. 1000–945 BCE; undated catalogue page

Edition, attribution & rights
Source date
Object ca. 1000–945 BCE; undated catalogue page
Accessed
2026-11-13
License / use
Reference access only; no commercial reuse license assumed for modern prose or imagery.
Rights assessment
Excavated context, inscriptions, and scene descriptions consulted. No papyrus image or modern translation reproduced.
Attribution
Department of Egyptian Art. Amduat papyrus inscribed for Gautsoshen, 25.3.31. The Metropolitan Museum of Art. Object ca. 1000–945 BCE; undated catalogue page.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Serqet: protection at the edge of poison · The Duat: a passage through hidden worlds · The Field of Reeds: a life with water and grain · The ba: identity able to move.

Project Gutenberg

The Tales of Mother Goose ↗

Charles Perrault; translated by Charles Welsh · French tales 1697; Welsh translation 1901

Edition, attribution & rights
Source date
French tales 1697; Welsh translation 1901
Accessed
2026-11-13
License / use
Reference only; no translation or image reproduced.
Rights assessment
The catalog marks the text unrestricted under US copyright. That is not a worldwide commercial license. We link to the edition and publish original explanations, not its translation, illustrations, electronic text, or editorial apparatus. Territorial reuse of the edition requires separate review.
Attribution
Charles Perrault; translated by Charles Welsh. The Tales of Mother Goose. French tales 1697; Welsh translation 1901.
Atlas use / modifications
Original plot explanation and commentary; no reproduced translation or imagery.

Used in Cinderella: two paths to recognition · Little Red Riding Hood · Conditions, warnings, and forbidden acts · Objects that reveal an identity · Sleeping Beauty: the story after the awakening · Bluebeard and the forbidden chamber · Puss in Boots and the invented marquis · Little Thumb and the ogre’s boots · Names that change the terms of a story · Appearances, disguises and the evidence that breaks them · When a journey returns to another time · Enchanted objects and the knowledge needed to use them.

Project Gutenberg

Grimms’ Fairy Tales ↗

Jacob and Wilhelm Grimm; translations based on Edgar Taylor and Marian Edwardes · German collection 1812–1857; mixed historical English translations

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Source date
German collection 1812–1857; mixed historical English translations
Accessed
2026-11-13
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Reference only; no translation or image reproduced.
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The catalog marks the text unrestricted under US copyright. That is not a worldwide commercial license. We link to the edition and publish original explanations, not its translation, illustrations, electronic text, or editorial apparatus. Territorial reuse of the edition requires separate review. The electronic collection is not a critical edition and its preparer does not map every tale to a particular translator.
Attribution
Jacob and Wilhelm Grimm; translations based on Edgar Taylor and Marian Edwardes. Grimms’ Fairy Tales. German collection 1812–1857; mixed historical English translations.
Atlas use / modifications
Original plot explanation and commentary; no reproduced translation or imagery.

Used in Cinderella: two paths to recognition · Little Red Riding Hood · Helpful animals · Objects that reveal an identity · Sleeping Beauty: the story after the awakening · The Frog Prince: three nights, not a kiss · Rumpelstiltskin and the price of impossible work · Rapunzel: confinement, escape and reunion · Hansel and Gretel: hunger and the false refuge · The travelling musicians find a home · Names that change the terms of a story · Impossible tasks and who sets them · Appearances, disguises and the evidence that breaks them · Bargains made under pressure · When a journey returns to another time.

Project Gutenberg

Japanese Fairy Tales ↗

Yei Theodora Ozaki · Collection first published 1903; online text includes a Tokyo 1908 dedication and preface

Edition, attribution & rights
Source date
Collection first published 1903; online text includes a Tokyo 1908 dedication and preface
Accessed
2026-11-13
License / use
Reference only; no translation or image reproduced.
Rights assessment
The catalog marks the text unrestricted under US copyright. That is not a worldwide commercial license. We link to the edition and publish original explanations, not its translation, illustrations, electronic text, or editorial apparatus. Territorial reuse of the edition requires separate review. Ozaki explicitly describes adaptation from Sadanami Sanjin rather than literal translation.
Attribution
Yei Theodora Ozaki. Japanese Fairy Tales. Collection first published 1903; online text includes a Tokyo 1908 dedication and preface.
Atlas use / modifications
Original plot explanation and commentary; no reproduced translation or imagery.

Used in Momotarō, the peach-born son · The tongue-cut sparrow · Helpful animals · Urashima Tarō and the lost centuries · Kintarō, the golden boy of the mountains · The bamboo-cutter and the moon-child · The old man who made withered trees flower · The monkey and the jellyfish · Impossible tasks and who sets them · Care, gifts and the limits of repayment · When a journey returns to another time · Repeated trials and the moment a pattern breaks · Enchanted objects and the knowledge needed to use them.

Project Gutenberg

Indian Fairy Tales ↗

Joseph Jacobs, editor · 1892

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Source date
1892
Accessed
2026-11-13
License / use
Reference only; no translation or image reproduced.
Rights assessment
The catalog marks the text unrestricted under US copyright. That is not a worldwide commercial license. We link to the edition and publish original explanations, not its translation, illustrations, electronic text, or editorial apparatus. Territorial reuse of the edition requires separate review. Colonial-era terminology and diffusion theories are historical claims, not the editorial position of this atlas.
Attribution
Joseph Jacobs, editor. Indian Fairy Tales. 1892.
Atlas use / modifications
Original plot explanation and commentary; no reproduced translation or imagery.

Used in The tiger, the Brahman, and the jackal · The talkative tortoise · Helpful animals · Conditions, warnings, and forbidden acts · Trickery and its costs · The broken pot and the imagined fortune · Lambikin and the rolling drum · The ass in the lion’s skin · Appearances, disguises and the evidence that breaks them · Repeated trials and the moment a pattern breaks.

Project Gutenberg

Popular Tales from the Norse ↗

Peter Christen Asbjørnsen and Jørgen Moe; translated by George Webbe Dasent · English collection 1859; online text based on an enlarged edition

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Source date
English collection 1859; online text based on an enlarged edition
Accessed
2026-11-13
License / use
Reference only; no translation or image reproduced.
Rights assessment
The catalog marks the text unrestricted under US copyright. That is not a worldwide commercial license. We link to the edition and publish original explanations, not its translation, illustrations, electronic text, or editorial apparatus. Territorial reuse of the edition requires separate review.
Attribution
Peter Christen Asbjørnsen and Jørgen Moe; translated by George Webbe Dasent. Popular Tales from the Norse. English collection 1859; online text based on an enlarged edition.
Atlas use / modifications
Original plot explanation and commentary; no reproduced translation or imagery.

Used in The talkative tortoise · East of the sun, west of the moon · Conditions, warnings, and forbidden acts · Objects that reveal an identity · The three billy-goats Gruff · Why the sea is salt · The giant who kept his heart elsewhere · Bargains made under pressure · Care, gifts and the limits of repayment · Repeated trials and the moment a pattern breaks · Enchanted objects and the knowledge needed to use them.

Internet Sacred Text Archive

Jamaica Anansi Stories, 21: Anansi and the Tar-baby ↗

Richard Morgan and George Parkes, storytellers; Martha Warren Beckwith, collector · 1924

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Source date
1924
Accessed
2026-11-13
License / use
Reference only; no translation or image reproduced.
Rights assessment
The 1924 printed work is a historical source. Beckwith died in 1959; public-domain status varies by territory and modern transcription rights are separate. No dialect transcription, music, photograph, or translation is reproduced. Storytellers are credited individually.
Attribution
Richard Morgan and George Parkes, storytellers; Martha Warren Beckwith, collector. Jamaica Anansi Stories, 21: Anansi and the Tar-baby. 1924.
Atlas use / modifications
Original plot explanation and commentary; no reproduced translation or imagery.

Used in Anansi and the sticky trap · Trickery and its costs.

Folklore Society; digitized by University of Toronto / Internet Archive

Cinderella: Three Hundred and Forty-five Variants ↗

Marian Roalfe Cox · 1893

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Source date
1893
Accessed
2026-11-13
License / use
Reference only; no translation or image reproduced.
Rights assessment
Cox died in 1916. The historical work is consulted for its comparative method and bibliography; the digitized images, OCR and typography are not reused. Its categories and historical hierarchies are not endorsed.
Attribution
Marian Roalfe Cox. Cinderella: Three Hundred and Forty-five Variants. 1893.
Atlas use / modifications
Original plot explanation and commentary; no reproduced translation or imagery.

Used in Cinderella: two paths to recognition · Objects that reveal an identity.

Project Gutenberg

The Project Gutenberg License ↗

Project Gutenberg Literary Archive Foundation · Current policy, accessed 13 November 2026

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Source date
Current policy, accessed 13 November 2026
Accessed
2026-11-13
License / use
Reference only; no translation or image reproduced.
Rights assessment
Policy reference only. Explicitly warns readers outside the United States to check local law and distinguishes text rights from trademark and electronic-edition conditions.
Attribution
Project Gutenberg Literary Archive Foundation. The Project Gutenberg License. Current policy, accessed 13 November 2026.
Atlas use / modifications
Original plot explanation and commentary; no reproduced translation or imagery.

Used in the source policy and editorial methodology.

Eaton & Mains, New York; Jennings & Graham, Cincinnati (1912 publishers); scanned edition hosted by Cristoraul

Cuneiform Parallels to the Old Testament: selected primary translations ↗

Robert William Rogers, translator and editor (1864–1930) · 1912 English edition of selected cuneiform texts and a Greek-mediated Berossos account; ancient witnesses vary by composition.

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Source date
1912 English edition of selected cuneiform texts and a Greek-mediated Berossos account; ancient witnesses vary by composition.
Accessed
2026-11-14
License / use
Underlying 1912 publication is public domain in the United States; no blanket license asserted for the hosting site or separate digital assets.
Rights assessment
Public-domain historical text used for original commentary. The scan is a research link only, not republished. Older restorations, obsolete equivalences, and comparative religious judgments are not adopted as established facts; rights outside the United States require separate consideration.
Attribution
Robert W. Rogers, Cuneiform Parallels to the Old Testament (1912), cited by printed page, composition, and verified line or column where available.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Marduk and the making of an ordered world · Adapa and the food of life · Ishtar enters the land of no return · Nergal and Ereshkigal in the Amarna account · Sargon’s basket and borrowed beginning · Utnapishtim survives the flood · The worm that asked for a tooth · Xisuthros and the recovered writings · Reeds, earth, and the inhabited world · Inana’s descent and the required substitute · Inana defeats the mountain Ebih · Marduk in epic and procession · Tiamat as ancestor and adversary · Apsu and the threatened younger gods · Ea as adviser and intervening intelligence · Anu and the heavenly audience · Enlil and the limits of collective force · Ishtar in petition and descent · Ereshkigal’s jurisdiction · Nergal in the short marriage account · Dumuzi in the language of lament · Shamash and the traveler’s appeal · Sin in a bilingual hymn · Adad in storm and abundance · Utnapishtim as survivor and narrator · Aruru and the making of human life · Kingu and contested authority · Mummu’s destructive counsel · Namtar as the queen’s representative · Eridu in service and creation · The land of no return · Babylon in creation and return · Decisions in the divine assembly · The tablet of destinies · Dreams that require a response · Praise as a form of petition · Lamenting an absence that changes a community · Words and substances in the work of healing · Water as danger, carrier, and evidence.

Yale University Press (1920); Project Gutenberg ebook 11000

An Old Babylonian Version of the Gilgamesh Epic ↗

Morris Jastrow Jr. (1861–1921) and Albert T. Clay (1866–1925), editors and translators · 1920 edition, Yale Oriental Series, Researches IV.3; selected Old Babylonian Akkadian tablets, broadly early second millennium BCE.

Edition, attribution & rights
Source date
1920 edition, Yale Oriental Series, Researches IV.3; selected Old Babylonian Akkadian tablets, broadly early second millennium BCE.
Accessed
2026-11-14
License / use
Public domain in the USA according to the Gutenberg edition; Gutenberg electronic-edition and trademark conditions remain distinct.
Rights assessment
Original explanations use the public-domain translation of the Pennsylvania and Yale tablets. No translation or plates are reproduced. The editors’ speculative reconstruction of epic development, historical origins, and iconography is not adopted. Rights elsewhere are not inferred from the US statement.
Attribution
Morris Jastrow Jr. and Albert T. Clay, An Old Babylonian Version of the Gilgamesh Epic (1920), Pennsylvania and Yale tablet translations; Project Gutenberg 11000.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Enkidu reaches Uruk and meets Gilgamesh · Gilgamesh, Aga, and the divided assemblies · Enlil and the limits of collective force · Shamash and the traveler’s appeal · Gilgamesh in selected Akkadian witnesses · Enkidu’s changing social position · Huwawa before the cedar-forest encounter · Ninsun and the interpretation of a relationship · The woman who guides Enkidu · Uruk as a city of spectators and counsel · Dreams that require a response.

University of Oxford, Electronic Text Corpus of Sumerian Literature

Inana’s descent to the nether world — ETCSL 1.4.1 ↗

Jeremy Black, Graham Cunningham, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor, Gábor Zólyomi, and credited ETCSL contributors · 1998 translation adaptation; HTML 2000; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.

Edition, attribution & rights
Source date
1998 translation adaptation; HTML 2000; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.
Accessed
2026-11-14
License / use
Modern copyrighted scholarly translation; the consulted Oxford site asserts copyright and moral rights. No permission to republish the translation or site imagery is inferred.
Rights assessment
Brief original commentary refers to this composition; no translation, transliteration, or imagery is reproduced. Separate comparisons identify their own witnesses.
Attribution
Black and colleagues, The Electronic Text Corpus of Sumerian Literature, Oxford, 1998–; composition 1.4.1. Contributors and copyright: https://etcsl.orinst.ox.ac.uk/credits.htm
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Inana’s descent and the required substitute.

University of Oxford, Electronic Text Corpus of Sumerian Literature

Inana and Ebih — ETCSL 1.3.2 ↗

Jeremy Black, Graham Cunningham, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor, Gábor Zólyomi, and credited ETCSL contributors · 1998 translation adaptation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.

Edition, attribution & rights
Source date
1998 translation adaptation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.
Accessed
2026-11-14
License / use
Modern copyrighted scholarly translation; the consulted Oxford site asserts copyright and moral rights. No permission to republish the translation or site imagery is inferred.
Rights assessment
Brief original commentary refers to this composition; no translation, transliteration, or imagery is reproduced. Separate comparisons identify their own witnesses.
Attribution
Black and colleagues, The Electronic Text Corpus of Sumerian Literature, Oxford, 1998–; composition 1.3.2. Contributors and copyright: https://etcsl.orinst.ox.ac.uk/credits.htm
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Inana defeats the mountain Ebih.

University of Oxford, Electronic Text Corpus of Sumerian Literature

Gilgamesh and Aga — ETCSL 1.8.1.1 ↗

Jeremy Black, Graham Cunningham, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor, Gábor Zólyomi, and credited ETCSL contributors · 2000 translation adaptation and HTML; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.

Edition, attribution & rights
Source date
2000 translation adaptation and HTML; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.
Accessed
2026-11-14
License / use
Modern copyrighted scholarly translation; the consulted Oxford site asserts copyright and moral rights. No permission to republish the translation or site imagery is inferred.
Rights assessment
Brief original commentary refers to this composition; no translation, transliteration, or imagery is reproduced. Separate comparisons identify their own witnesses.
Attribution
Black and colleagues, The Electronic Text Corpus of Sumerian Literature, Oxford, 1998–; composition 1.8.1.1. Contributors and copyright: https://etcsl.orinst.ox.ac.uk/credits.htm
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Gilgamesh, Aga, and the divided assemblies.

University of Oxford, Electronic Text Corpus of Sumerian Literature

Lugalbanda in the mountain cave — ETCSL 1.8.2.1 ↗

Jeremy Black, Graham Cunningham, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor, Gábor Zólyomi, and credited ETCSL contributors · 1998 translation adaptation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.

Edition, attribution & rights
Source date
1998 translation adaptation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.
Accessed
2026-11-14
License / use
Modern copyrighted scholarly translation; the consulted Oxford site asserts copyright and moral rights. No permission to republish the translation or site imagery is inferred.
Rights assessment
Brief original commentary refers to this composition; no translation, transliteration, or imagery is reproduced. Separate comparisons identify their own witnesses.
Attribution
Black and colleagues, The Electronic Text Corpus of Sumerian Literature, Oxford, 1998–; composition 1.8.2.1. Contributors and copyright: https://etcsl.orinst.ox.ac.uk/credits.htm
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Lugalbanda’s recovery and extraordinary return.

University of Oxford, Electronic Text Corpus of Sumerian Literature

Lugalbanda (the Anzud-bird composition) — ETCSL 1.8.2.2 ↗

Jeremy Black, Graham Cunningham, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor, Gábor Zólyomi, and credited ETCSL contributors · 1998 translation adaptation; HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.

Edition, attribution & rights
Source date
1998 translation adaptation; HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.
Accessed
2026-11-14
License / use
Modern copyrighted scholarly translation; the consulted Oxford site asserts copyright and moral rights. No permission to republish the translation or site imagery is inferred.
Rights assessment
Brief original commentary refers to this composition; no translation, transliteration, or imagery is reproduced. Separate comparisons identify their own witnesses.
Attribution
Black and colleagues, The Electronic Text Corpus of Sumerian Literature, Oxford, 1998–; composition 1.8.2.2. Contributors and copyright: https://etcsl.orinst.ox.ac.uk/credits.htm
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Lugalbanda’s recovery and extraordinary return.

University of Oxford, Electronic Text Corpus of Sumerian Literature

Enmerkar and the lord of Aratta — ETCSL 1.8.2.3 ↗

Jeremy Black, Graham Cunningham, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor, Gábor Zólyomi, and credited ETCSL contributors · 1998 translation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.

Edition, attribution & rights
Source date
1998 translation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.
Accessed
2026-11-14
License / use
Modern copyrighted scholarly translation; the consulted Oxford site asserts copyright and moral rights. No permission to republish the translation or site imagery is inferred.
Rights assessment
Brief original commentary refers to this composition; no translation, transliteration, or imagery is reproduced. Separate comparisons identify their own witnesses.
Attribution
Black and colleagues, The Electronic Text Corpus of Sumerian Literature, Oxford, 1998–; composition 1.8.2.3. Contributors and copyright: https://etcsl.orinst.ox.ac.uk/credits.htm
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Enmerkar and the contests with Aratta.

University of Oxford, Electronic Text Corpus of Sumerian Literature

Enmerkar and En-suhgir-ana — ETCSL 1.8.2.4 ↗

Jeremy Black, Graham Cunningham, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor, Gábor Zólyomi, and credited ETCSL contributors · 1998 translation adaptation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.

Edition, attribution & rights
Source date
1998 translation adaptation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.
Accessed
2026-11-14
License / use
Modern copyrighted scholarly translation; the consulted Oxford site asserts copyright and moral rights. No permission to republish the translation or site imagery is inferred.
Rights assessment
Brief original commentary refers to this composition; no translation, transliteration, or imagery is reproduced. Separate comparisons identify their own witnesses.
Attribution
Black and colleagues, The Electronic Text Corpus of Sumerian Literature, Oxford, 1998–; composition 1.8.2.4. Contributors and copyright: https://etcsl.orinst.ox.ac.uk/credits.htm
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Enmerkar and the contests with Aratta.

University of Oxford, Electronic Text Corpus of Sumerian Literature

Enki and Ninhursanga — ETCSL 1.1.1 ↗

Jeremy Black, Graham Cunningham, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor, Gábor Zólyomi, and credited ETCSL contributors · 1998 translation adaptation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.

Edition, attribution & rights
Source date
1998 translation adaptation; corrections and HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.
Accessed
2026-11-14
License / use
Modern copyrighted scholarly translation; the consulted Oxford site asserts copyright and moral rights. No permission to republish the translation or site imagery is inferred.
Rights assessment
Brief original commentary refers to this composition; no translation, transliteration, or imagery is reproduced. Separate comparisons identify their own witnesses.
Attribution
Black and colleagues, The Electronic Text Corpus of Sumerian Literature, Oxford, 1998–; composition 1.1.1. Contributors and copyright: https://etcsl.orinst.ox.ac.uk/credits.htm
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Enki, divine bodies, and difficult creation.

University of Oxford, Electronic Text Corpus of Sumerian Literature

Enki and Ninmah — ETCSL 1.1.2 ↗

Jeremy Black, Graham Cunningham, Esther Flückiger-Hawker, Eleanor Robson, Jon Taylor, Gábor Zólyomi, and credited ETCSL contributors · 1998 translation adaptation; HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.

Edition, attribution & rights
Source date
1998 translation adaptation; HTML 1999; formatting revision 2001; composite edition of ancient Sumerian witnesses, not a single surviving complete manuscript.
Accessed
2026-11-14
License / use
Modern copyrighted scholarly translation; the consulted Oxford site asserts copyright and moral rights. No permission to republish the translation or site imagery is inferred.
Rights assessment
Brief original commentary refers to this composition; no translation, transliteration, or imagery is reproduced. Separate comparisons identify their own witnesses.
Attribution
Black and colleagues, The Electronic Text Corpus of Sumerian Literature, Oxford, 1998–; composition 1.1.2. Contributors and copyright: https://etcsl.orinst.ox.ac.uk/credits.htm
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Enki, divine bodies, and difficult creation.

Project Gutenberg

The Courtship of Etain — Leahy translation ↗

Anonymous Irish literary narratives; translated and arranged by Arthur Herbert Leahy (1857–1928) · Volume I, 1905; Project Gutenberg eBook released May 2004 and updated 29 June 2026

Edition, attribution & rights
Source date
Volume I, 1905; Project Gutenberg eBook released May 2004 and updated 29 June 2026
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The historical translator died in 1928. No worldwide copyright clearance is asserted. Only original commentary is published here; no translation paragraphs, historical images, or modern editorial apparatus are reproduced.
Attribution
A. H. Leahy, trans., The Courtship of Etain, in Heroic Romances of Ireland; Project Gutenberg eBook 5680.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Étaín between two households · Étaín · Midir · Fuamnach · Ailill of Connacht · Tara as a place of public claims.

Project Gutenberg

Mac Datho’s Boar — Leahy translation ↗

Anonymous Irish literary narratives; translated and arranged by Arthur Herbert Leahy (1857–1928) · Volume I, 1905; Project Gutenberg eBook released May 2004 and updated 29 June 2026

Edition, attribution & rights
Source date
Volume I, 1905; Project Gutenberg eBook released May 2004 and updated 29 June 2026
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The historical translator died in 1928. No worldwide copyright clearance is asserted. Only original commentary is published here; no translation paragraphs, historical images, or modern editorial apparatus are reproduced.
Attribution
A. H. Leahy, trans., Mac Datho’s Boar, in Heroic Romances of Ireland; Project Gutenberg eBook 5680.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The disastrous feast of Mac Dathó · Conchobar · Ailbe, the hound sought by two provinces · The champion’s portion and competitive memory.

Project Gutenberg

The Sick-Bed of Cuchulain — Leahy translation ↗

Anonymous Irish literary narratives; translated and arranged by Arthur Herbert Leahy (1857–1928) · Volume I, 1905; Project Gutenberg eBook released May 2004 and updated 29 June 2026

Edition, attribution & rights
Source date
Volume I, 1905; Project Gutenberg eBook released May 2004 and updated 29 June 2026
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The historical translator died in 1928. No worldwide copyright clearance is asserted. Only original commentary is published here; no translation paragraphs, historical images, or modern editorial apparatus are reproduced.
Attribution
A. H. Leahy, trans., The Sick-Bed of Cuchulain, in Heroic Romances of Ireland; Project Gutenberg eBook 5680.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Cú Chulainn’s sickness and Fand’s departure · Cú Chulainn · Fand · Emer · Láeg · Manannán across two selected witnesses · Emain Macha.

Project Gutenberg

The Exile of the Sons of Usnach: Book of Leinster version — Leahy translation ↗

Anonymous Irish literary narratives; translated and arranged by Arthur Herbert Leahy (1857–1928) · Volume I, 1905; Project Gutenberg eBook released May 2004 and updated 29 June 2026

Edition, attribution & rights
Source date
Volume I, 1905; Project Gutenberg eBook released May 2004 and updated 29 June 2026
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The historical translator died in 1928. No worldwide copyright clearance is asserted. Only original commentary is published here; no translation paragraphs, historical images, or modern editorial apparatus are reproduced.
Attribution
A. H. Leahy, trans., The Exile of the Sons of Usnach: Book of Leinster version, in Heroic Romances of Ireland; Project Gutenberg eBook 5680.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Deirdre and the betrayed sons of Uisnech · Deirdre · Conchobar · Fergus · Emain Macha · Promises, prohibitions, and unreliable protection.

Project Gutenberg

The Raid for the Cattle of Fraech — Leahy translation ↗

Anonymous Irish literary narratives; translated and arranged by Arthur Herbert Leahy (1857–1928) · Volume II, 1906; Project Gutenberg eBook released May 2004 and updated 29 June 2026

Edition, attribution & rights
Source date
Volume II, 1906; Project Gutenberg eBook released May 2004 and updated 29 June 2026
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The historical translator died in 1928. No worldwide copyright clearance is asserted. Only original commentary is published here; no translation paragraphs, historical images, or modern editorial apparatus are reproduced.
Attribution
A. H. Leahy, trans., The Raid for the Cattle of Fraech, in Heroic Romances of Ireland; Project Gutenberg eBook 5680.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Fráech wins recognition and recovers his cattle · Medb · Ailill of Connacht · Fráech · Findabair · Serpents and disruptive water creatures · Cruachan in the cattle narratives · Cattle, marriage, and military supply · Healing objects and the power to withhold.

Project Gutenberg

The Raid for the Cattle of Regamon — Leahy translation ↗

Anonymous Irish literary narratives; translated and arranged by Arthur Herbert Leahy (1857–1928) · Volume II, 1906; Project Gutenberg eBook released May 2004 and updated 29 June 2026

Edition, attribution & rights
Source date
Volume II, 1906; Project Gutenberg eBook released May 2004 and updated 29 June 2026
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The historical translator died in 1928. No worldwide copyright clearance is asserted. Only original commentary is published here; no translation paragraphs, historical images, or modern editorial apparatus are reproduced.
Attribution
A. H. Leahy, trans., The Raid for the Cattle of Regamon, in Heroic Romances of Ireland; Project Gutenberg eBook 5680.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The raid on Regamon’s cattle · Medb · Ailill of Connacht · Cruachan in the cattle narratives · Cattle, marriage, and military supply.

Project Gutenberg

The Driving of the Cattle of Flidais — Leahy translation ↗

Anonymous Irish literary narratives; translated and arranged by Arthur Herbert Leahy (1857–1928) · Volume II, 1906; Project Gutenberg eBook released May 2004 and updated 29 June 2026

Edition, attribution & rights
Source date
Volume II, 1906; Project Gutenberg eBook released May 2004 and updated 29 June 2026
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The historical translator died in 1928. No worldwide copyright clearance is asserted. Only original commentary is published here; no translation paragraphs, historical images, or modern editorial apparatus are reproduced.
Attribution
A. H. Leahy, trans., The Driving of the Cattle of Flidais, in Heroic Romances of Ireland; Project Gutenberg eBook 5680.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Flidais, Fergus, and the captured herd · Fergus · Medb · Ailill of Connacht · Flidais · Cattle, marriage, and military supply.

Project Gutenberg

The Apparition of the Great Queen to Cuchulain — Leahy translation ↗

Anonymous Irish literary narratives; translated and arranged by Arthur Herbert Leahy (1857–1928) · Volume II, 1906; Project Gutenberg eBook released May 2004 and updated 29 June 2026

Edition, attribution & rights
Source date
Volume II, 1906; Project Gutenberg eBook released May 2004 and updated 29 June 2026
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The historical translator died in 1928. No worldwide copyright clearance is asserted. Only original commentary is published here; no translation paragraphs, historical images, or modern editorial apparatus are reproduced.
Attribution
A. H. Leahy, trans., The Apparition of the Great Queen to Cuchulain, in Heroic Romances of Ireland; Project Gutenberg eBook 5680.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Cú Chulainn confronts the Morrígan · Cú Chulainn · Láeg · The Morrígan in the cattle prelude · Serpents and disruptive water creatures · Cruachan in the cattle narratives.

Project Gutenberg

The Fate of the Children of Lir — Joyce adaptation ↗

Irish literary narrative; translated and adapted by Patrick Weston Joyce (1827–1914) · Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011

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Source date
Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011
Accessed
2026-11-14
License / use
Historical text identified by the host as public domain in the USA; Project Gutenberg’s electronic-edition and trademark conditions are separate.
Rights assessment
The consulted edition is historical and Joyce died in 1914. No worldwide copyright clearance is asserted. This atlas publishes original explanations, not copied translation paragraphs or book illustrations.
Attribution
P. W. Joyce, trans. and adapter, The Fate of the Children of Lir, Old Celtic Romances (1920 print witness), Project Gutenberg eBook 38041.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The children of Lir become swans · The Sea of Moyle in the swan story.

Project Gutenberg

The Fate of the Children of Turenn — Joyce adaptation ↗

Irish literary narrative; translated and adapted by Patrick Weston Joyce (1827–1914) · Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011

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Source date
Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011
Accessed
2026-11-14
License / use
Historical text identified by the host as public domain in the USA; Project Gutenberg’s electronic-edition and trademark conditions are separate.
Rights assessment
The consulted edition is historical and Joyce died in 1914. No worldwide copyright clearance is asserted. This atlas publishes original explanations, not copied translation paragraphs or book illustrations.
Attribution
P. W. Joyce, trans. and adapter, The Fate of the Children of Turenn, Old Celtic Romances (1920 print witness), Project Gutenberg eBook 38041.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The children of Tuireann pay Lugh’s fine · Lugh in the quest of Tuireann’s sons · Manannán across two selected witnesses · Failinis, the hound of Iroda · Enbarr, Manannán’s traveling horse · Tara as a place of public claims · Promises, prohibitions, and unreliable protection · Healing objects and the power to withhold · Voyage as a change in purpose.

Project Gutenberg

The Overflowing of Lough Neagh and the Story of Liban the Mermaid — Joyce adaptation ↗

Irish literary narrative; translated and adapted by Patrick Weston Joyce (1827–1914) · Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011

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Source date
Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011
Accessed
2026-11-14
License / use
Historical text identified by the host as public domain in the USA; Project Gutenberg’s electronic-edition and trademark conditions are separate.
Rights assessment
The consulted edition is historical and Joyce died in 1914. No worldwide copyright clearance is asserted. This atlas publishes original explanations, not copied translation paragraphs or book illustrations.
Attribution
P. W. Joyce, trans. and adapter, The Overflowing of Lough Neagh and the Story of Liban the Mermaid, Old Celtic Romances (1920 print witness), Project Gutenberg eBook 38041.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Lí Ban survives beneath Lough Neagh.

Project Gutenberg

Connla of the Golden Hair and the Fairy Maiden — Joyce adaptation ↗

Irish literary narrative; translated and adapted by Patrick Weston Joyce (1827–1914) · Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011

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Source date
Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011
Accessed
2026-11-14
License / use
Historical text identified by the host as public domain in the USA; Project Gutenberg’s electronic-edition and trademark conditions are separate.
Rights assessment
The consulted edition is historical and Joyce died in 1914. No worldwide copyright clearance is asserted. This atlas publishes original explanations, not copied translation paragraphs or book illustrations.
Attribution
P. W. Joyce, trans. and adapter, Connla of the Golden Hair and the Fairy Maiden, Old Celtic Romances (1920 print witness), Project Gutenberg eBook 38041.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Connla follows the woman from the otherworld · Tír na nÓg in Oisín’s journey · Food that feeds, detains, and marks a boundary.

Project Gutenberg

The Voyage of Maildun — Joyce adaptation ↗

Irish literary narrative; translated and adapted by Patrick Weston Joyce (1827–1914) · Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011

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Source date
Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011
Accessed
2026-11-14
License / use
Historical text identified by the host as public domain in the USA; Project Gutenberg’s electronic-edition and trademark conditions are separate.
Rights assessment
The consulted edition is historical and Joyce died in 1914. No worldwide copyright clearance is asserted. This atlas publishes original explanations, not copied translation paragraphs or book illustrations.
Attribution
P. W. Joyce, trans. and adapter, The Voyage of Maildun, Old Celtic Romances (1920 print witness), Project Gutenberg eBook 38041.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Máel Dúin returns without taking revenge · The little cat guarding the empty palace · Food that feeds, detains, and marks a boundary · Voyage as a change in purpose.

Project Gutenberg

The Chase of Slieve Cullinn — Joyce adaptation ↗

Irish literary narrative; translated and adapted by Patrick Weston Joyce (1827–1914) · Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011

Edition, attribution & rights
Source date
Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011
Accessed
2026-11-14
License / use
Historical text identified by the host as public domain in the USA; Project Gutenberg’s electronic-edition and trademark conditions are separate.
Rights assessment
The consulted edition is historical and Joyce died in 1914. No worldwide copyright clearance is asserted. This atlas publishes original explanations, not copied translation paragraphs or book illustrations.
Attribution
P. W. Joyce, trans. and adapter, The Chase of Slieve Cullinn, Old Celtic Romances (1920 print witness), Project Gutenberg eBook 38041.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Fionn’s youth returns but his hair stays grey · Fionn in Joyce’s Fenian tales · Promises, prohibitions, and unreliable protection · Healing objects and the power to withhold.

Project Gutenberg

Oisin in Tirnanoge — Joyce adaptation ↗

Irish literary narrative; translated and adapted by Patrick Weston Joyce (1827–1914) · Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011

Edition, attribution & rights
Source date
Consulted print edition dated 1920; preface to the third edition dated 1907; Project Gutenberg release 17 November 2011
Accessed
2026-11-14
License / use
Historical text identified by the host as public domain in the USA; Project Gutenberg’s electronic-edition and trademark conditions are separate.
Rights assessment
The consulted edition is historical and Joyce died in 1914. No worldwide copyright clearance is asserted. This atlas publishes original explanations, not copied translation paragraphs or book illustrations.
Attribution
P. W. Joyce, trans. and adapter, Oisin in Tirnanoge, Old Celtic Romances (1920 print witness), Project Gutenberg eBook 38041.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Oisín returns from the Land of Youth · Fionn in Joyce’s Fenian tales · Enbarr, Manannán’s traveling horse · Tír na nÓg in Oisín’s journey.

Project Gutenberg

The Lady of the Fountain — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

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Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., The Lady of the Fountain, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Owain and the Lady of the Fountain · Lunet · Owain’s lion · Caerllion in Arthurian narrative.

Project Gutenberg

Peredur the Son of Evrawc — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

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Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., Peredur the Son of Evrawc, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Peredur learns what to ask · When speaking is dangerous and silence fails.

Project Gutenberg

Geraint the Son of Erbin — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., Geraint the Son of Erbin, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Geraint and Enid’s troubled journey · Enid · Arthur in the Welsh tales · Caerllion in Arthurian narrative · When speaking is dangerous and silence fails.

Project Gutenberg

Kilhwch and Olwen — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., Kilhwch and Olwen, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in How Culhwch obtains Olwen · Arthur in the Welsh tales · Gwyn ap Nudd · Twrch Trwyth · The oldest animals and Mabon’s prison · Annwn in selected Welsh prose · Promises made before the request.

Project Gutenberg

The Dream of Rhonabwy — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., The Dream of Rhonabwy, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Rhonabwy dreams Arthur’s army · Arthur in the Welsh tales · How tales make remembering visible.

Project Gutenberg

Pwyll Prince of Dyved — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., Pwyll Prince of Dyved, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Pwyll exchanges kingdoms with Arawn · Rhiannon chooses Pwyll · The stolen child and Rhiannon’s vindication · Pwyll · Rhiannon · Pryderi · Arawn · The white hounds of Annwn · Annwn in selected Welsh prose · Narberth and its mound · Promises made before the request · Ruling through repair · When speaking is dangerous and silence fails.

Project Gutenberg

Branwen the Daughter of Llyr — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., Branwen the Daughter of Llyr, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Branwen and the ruin of two islands · Pryderi · Branwen · Bendigeidfran · Efnisien · Harlech in Branwen’s story · Gwales and the unopened door · Cauldrons with different powers · Ruling through repair · How tales make remembering visible.

Project Gutenberg

Manawyddan the Son of Llyr — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., Manawyddan the Son of Llyr, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Rhiannon chooses Pwyll · Manawydan frees enchanted Dyfed · Rhiannon · Pryderi · Manawydan · Narberth and its mound · Ruling through repair · Skills that sustain the displaced.

Project Gutenberg

Math the Son of Mathonwy — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., Math the Son of Mathonwy, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Gwydion’s deception and the war over pigs · Lleu, Blodeuwedd, and the impossible death · Pryderi · Arawn · Gwydion · Math · Arianrhod · Blodeuwedd · Annwn in selected Welsh prose · Caer Dathyl · Changed bodies, continuing obligations · Skills that sustain the displaced · How tales make remembering visible.

Project Gutenberg

The Dream of Maxen Wledig — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., The Dream of Maxen Wledig, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Maxen follows a dream to Britain.

Project Gutenberg

The Story of Lludd and Llevelys — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., The Story of Lludd and Llevelys, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Lludd and Llefelys end three plagues · The fighting dragons beneath Britain · Cauldrons with different powers.

Project Gutenberg

Taliesin — Guest translation ↗

Anonymous Welsh narrative; translated by Lady Charlotte Guest (later Lady Charlotte Schreiber, 1812–1895) · Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021

Edition, attribution & rights
Source date
Guest translation first published in the 1838–1849 Mabinogion series; historical reprint transcribed by Gutenberg; digital edition updated 4 October 2021
Accessed
2026-11-14
License / use
Historical translation identified by the host as public domain in the USA; electronic-edition and trademark terms remain separate.
Rights assessment
The underlying translation is nineteenth-century and its translator died in 1895. No worldwide copyright clearance is asserted. This atlas reproduces no translation paragraphs, illustrations, or editorial apparatus; it provides original commentary and a source link.
Attribution
Lady Charlotte Guest, trans., Taliesin, in The Mabinogion; Project Gutenberg eBook 5160.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Gwion becomes Taliesin and repays Elffin · Ceridwen · Cauldrons with different powers · Changed bodies, continuing obligations.

J. M. Dent / E. P. Dutton; digitized by Project Gutenberg

Kalevala, The Land of the Heroes, Volume One ↗

Elias Lönnrot (compiler, 1802–1884); translated by William Forsell Kirby (1844–1912) · Expanded Finnish compilation 1849; translation first published 1907; digitized printing lists reprints through 1936

Edition, attribution & rights
Source date
Expanded Finnish compilation 1849; translation first published 1907; digitized printing lists reprints through 1936
Accessed
2026-11-14
License / use
Gutenberg catalog identifies public-domain status in the USA; electronic edition and trademark conditions are separate.
Rights assessment
Historical translation consulted; all explanations are original. No translated verse, illustrations, or later decorative artwork reproduced. A US catalog label is not worldwide clearance for every component of a later printing.
Attribution
Elias Lönnrot, Kalevala, translated W. F. Kirby, vol. I, runos I–XXV; translation 1907, Gutenberg eBook 25953. Passage numbering follows Kirby.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The world from broken eggs · The great oak and the first barley · Väinämöinen and Joukahainen’s contest · Aino and the unrecognized fish · The wound and the origin of iron · Ilmarinen forges the Sampo · Lemminkäinen and Kyllikki’s broken agreement · Lemminkäinen’s death and restoration · The boat and the missing words · Ilmarinen’s courtship and wedding · Väinämöinen · Ilmarinen · Lemminkäinen · Louhi · Ilmatar · Aino · Joukahainen · Kyllikki · Lemminkäinen’s mother · Antero Vipunen · Ukko · Sampsa Pellervoinen · Tapio · Mielikki · Pohjola · Tuonela · Saari and the island of refuge · The Sampo · Knowing a thing’s origin · The wedding’s many voices · Healing as words, work, and assistance · The healing bee · Hiisi’s elk · The maiden of Pohjola · Annikki.

J. M. Dent / E. P. Dutton; digitized by Project Gutenberg

Kalevala, The Land of the Heroes, Volume Two ↗

Elias Lönnrot (compiler, 1802–1884); translated by William Forsell Kirby (1844–1912) · Expanded Finnish compilation 1849; English translation first published 1907

Edition, attribution & rights
Source date
Expanded Finnish compilation 1849; English translation first published 1907
Accessed
2026-11-14
License / use
Gutenberg catalog identifies public-domain status in the USA; branded eBook redistribution has separate conditions.
Rights assessment
Reference only; no translated verse or artwork reproduced. No blanket worldwide reuse status inferred from the US catalog notice.
Attribution
Elias Lönnrot, Kalevala, translated W. F. Kirby, vol. II, runos XXVI–L; translation 1907, Gutenberg eBook 33089.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The uninvited guest of Pohjola · The tragedy of Kullervo · The golden bride and the failed replacement · The taking and breaking of the Sampo · Recovering fire, sun, and moon · Marjatta’s child and the departing singer · Väinämöinen · Ilmarinen · Lemminkäinen · Louhi · Ilmatar · Lemminkäinen’s mother · Kullervo · Untamo · Kalervo · Marjatta · Ukko · Tapio · Mielikki · Ahto of the waters · Otso, the bear · Pohjola · Saari and the island of refuge · The Sampo · The kantele · Knowing a thing’s origin · Healing as words, work, and assistance · Pakkanen, the Frost · The maiden of Pohjola · Loviatar and the origins of disease.

Finnish Literature Society

Kalevala – European Heritage Label ↗

Finnish Literature Society (SKS) · Institutional account, undated page; consulted 2026

Edition, attribution & rights
Source date
Institutional account, undated page; consulted 2026
Accessed
2026-11-14
License / use
No general open license asserted for the institutional article or images.
Rights assessment
Used for concise factual context on the 1835/1849 editions, compilation, and Karelian, Finnish, and Ingrian source traditions. No article prose or imagery reproduced.
Attribution
Finnish Literature Society, “Kalevala – European Heritage Label,” accessed 14 November 2026.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in the source policy and editorial methodology.

Transactions of the Asiatic Society of Japan, vol. X supplement; Wikisource transcription

Kojiki: Records of Ancient Matters, Chamberlain translation ↗

Ō no Yasumaro (compiler, as identified in the preface); translated by Basil Hall Chamberlain (1850–1935) · Court compilation presented 712 CE; translation published Yokohama, 1882

Edition, attribution & rights
Source date
Court compilation presented 712 CE; translation published Yokohama, 1882
Accessed
2026-11-14
License / use
Historical translation in the public domain under ordinary life-plus-70 terms; Wikisource has separate terms for editorial contributions.
Rights assessment
Original commentary only. No translation, page images, or modern editorial text reproduced. Some direct chapter requests were rate-limited; the numbered historical text was read through an additional full-text transcription and checked against available Wikisource sections. Historical racial theories, conjectural etymologies, and claims of universal religious authority are not adopted.
Attribution
Ō no Yasumaro, Kojiki, translated by Basil Hall Chamberlain, 1882; numbered sections in the Wikisource transcription.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in The islands born after a second beginning · The birth of fire and the death of Izanami · Izanagi returns from Yomi alone · The washing that produces three illustrious children · The oath between Amaterasu and Susanoo · How the gods bring light out of the rock dwelling · Food from a slain goddess: two different accounts · Susanoo and the eight-headed serpent · The hare whose second helpers make things worse · Ōkuninushi survives his brothers and Susanoo · The messenger struck by his own returning arrow · How the land is yielded to heaven’s descendants · Konohanasakuya gives birth inside a burning house · The lost fishhook and the sea palace · Toyotama closes the passage between sea and land · How the young prince receives the name Yamato-takeru · Yamato-takeru escapes fire and loses a companion at sea · The mountain defeats Yamato-takeru · Izanagi: a creator who returns alone · Izanami: from shared creation to Yomi · Amaterasu: light, authority, and dependence · Tsukuyomi: the night deity in different accounts · Susanoo: disorder, rescue, and a dangerous household · Ame-no-Uzume: performance and confrontation · Omoikane: thought within a divine assembly · Ōkuninushi: a ruler formed through dependence · Suseribime: the knowledge behind an escape · Sukunabikona: a small arrival and a large partnership · Kuebiko: knowledge without walking · Takemikazuchi: the force behind an embassy · Kotoshironushi: an answer followed by withdrawal · Ninigi: descent does not remove human limits · Konohanasakuya: blossoms, accusation, and birth · Iwanagahime: the rejected promise of endurance · Toyotama: a sea princess with a boundary of her own · Sarutahiko: a guide at an uncertain crossroads · Yamato-takeru: the court’s powerful and vulnerable agent · Ototachibana: the person who makes the crossing possible · Orochi: a body spread across the landscape · The Inaba hare: deceiver, sufferer, and witness · Yatagarasu: a guide through dangerous country · Wani: sea beings beyond a single English animal name · Takamanohara: a heavenly place of work and decisions · Yomi: the place from which a partner does not return · Ne-no-kuni: the dangerous household beyond the boundary · Tokoyo: an enduring land beyond the familiar shore · Kusanagi: a sword with a changing set of keepers · The mirror: an image that becomes a commissioned presence · The peaches that stop pursuit · How a chronicle makes ancestry explain authority.

Japan Society, London, 1896; Wikisource transcription of the historical edition

Nihongi / Nihon Shoki, Book I ↗

Japanese court compilation; translated by William George Aston (1841–1911) · Compilation completed 720 CE; translation 1896; selected passage vol. I, pp. 32–33

Edition, attribution & rights
Source date
Compilation completed 720 CE; translation 1896; selected passage vol. I, pp. 32–33
Accessed
2026-11-14
License / use
Historical translation in the public domain under ordinary life-plus-70 terms; modern host contributions have separate reuse terms.
Rights assessment
The alternative Ukemochi account was checked in the page transcriptions for printed pp. 32–33. No translated wording or page imagery reproduced. Aston’s comparative theories and claims about which version is original are not treated as established findings.
Attribution
Nihongi, translated by W. G. Aston, 1896, vol. I, Book I, pp. 32–33; Wikisource.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in Food from a slain goddess: two different accounts · Amaterasu: light, authority, and dependence · Tsukuyomi: the night deity in different accounts.

Tianmu Good Work Library

Chamberlain’s Kojiki: additional reading transcription ↗

Basil Hall Chamberlain, historical translator; modern site editorial framing not adopted · Historical translation 1882; host page dated 2026-11-03

Edition, attribution & rights
Source date
Historical translation 1882; host page dated 2026-11-03
Accessed
2026-11-14
License / use
Underlying historical translation is public domain; no license assumed for the host’s modern introduction or site material.
Rights assessment
Used only to read the historical numbered sections when direct Wikisource requests were limited. The mirror’s misplaced volume headings, incomplete song extraction, and broad modern claims about Shinto were not used. The atlas cites the historical section numbers and does not reproduce either translation or modern prose.
Attribution
Basil Hall Chamberlain, Kojiki (1882), as transcribed by the Tianmu Good Work Library; cross-checking limits are documented in the project research note.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in the source policy and editorial methodology.

Japan Search / National Diet Library

Kojiki and Nihon Shoki: compilation and transmission ↗

Japan Search gallery editorial record; National Diet Library digital collection references · Gallery last updated 2023-03-14; historical presentation dates 712 and 720 CE

Edition, attribution & rights
Source date
Gallery last updated 2023-03-14; historical presentation dates 712 and 720 CE
Accessed
2026-11-14
License / use
Gallery labels secondary use CC BY, except images requiring individual rights checks; no text or images reproduced.
Rights assessment
Consulted for the distinct presentation dates, named compilers and reciter, three-part Kojiki structure, and surviving manuscript context. No modern prose, images, or general claims about every tradition reproduced.
Attribution
Japan Search, Kojiki and Nihon Shoki, National Diet Library digital collection gallery, updated 14 March 2023.
Atlas use / modifications
Referenced for original commentary; no reproduced translation or imagery.

Used in How a chronicle makes ancestry explain authority.

University of Chicago Press, 1925; R. Shreevatsa’s reading transcription

Panchatantra, Book 1: The Loss of Friends ↗

Pūrṇabhadra recension (1199 CE); English translation by Arthur W. Ryder (1877–1938), based on Johannes Hertel’s Sanskrit edition · Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925

Edition, attribution & rights
Source date
Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925
Accessed
2026-11-14
License / use
Underlying 1925 translation is public domain in the United States and under ordinary life-plus-70 terms; no license is assumed for modern host commentary or images.
Rights assessment
Used for original synopses and interpretation. No translation paragraphs, verses, scans, or illustrations reproduced. Bibliographic titles and page ranges checked against Frances Pritchett’s hosted 1925 edition index. This is a selected recension, not an exhaustive record of Indian storytelling.
Attribution
The Panchatantra, translated by Arthur W. Ryder, Chicago: University of Chicago Press, 1925, Book 1; online reading transcription by R. Shreevatsa.
Atlas use / modifications
Referenced for newly written explanations; no source images or translated passages reproduced.

Used in Strong-Tooth and the palace sweeper · Godly and the disciple who stole his savings · The crow-hen, the snake, and the stolen chain · The heron’s rescue service and the crab · Numskull and the rabbit at the well · The weaver who impersonated Vishnu · The blue jackal’s borrowed kingship · The plovers who challenged the ocean · Forethought, Readywit, and Fatalist · The sparrow’s alliance against the elephant · Right-Mind, Wrong-Mind, and the tree witness · The mice that ate iron · Rusty: the lion whose court loses its balance · Lively: the recovered bull at the lion’s court · Victor: the counselor who manufactures distrust · Cheek: a counselor against destructive cleverness · The iron balance-beam and the impossible counterclaim · The wooden Garuda and the borrowed divine identity · The crow-hen’s stolen gold chain.

University of Chicago Press, 1925; R. Shreevatsa’s reading transcription

Panchatantra, Book 2: The Winning of Friends ↗

Pūrṇabhadra recension (1199 CE); English translation by Arthur W. Ryder (1877–1938), based on Johannes Hertel’s Sanskrit edition · Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925

Edition, attribution & rights
Source date
Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925
Accessed
2026-11-14
License / use
Underlying 1925 translation is public domain in the United States and under ordinary life-plus-70 terms; no license is assumed for modern host commentary or images.
Rights assessment
Used for original synopses and interpretation. No translation paragraphs, verses, scans, or illustrations reproduced. Bibliographic titles and page ranges checked against Frances Pritchett’s hosted 1925 edition index. This is a selected recension, not an exhaustive record of Indian storytelling.
Attribution
The Panchatantra, translated by Arthur W. Ryder, Chicago: University of Chicago Press, 1925, Book 2; online reading transcription by R. Shreevatsa.
Atlas use / modifications
Referenced for newly written explanations; no source images or translated passages reproduced.

Used in The jackal who began with the bowstring · Mister Duly and the sentence that became his name · The mice who released the elephants · Spot’s two captivities and the rescue of Slow · Gold: the mouse who makes escape possible · Swift: the crow who connects separate lives · Slow: the turtle whose affection creates a new danger · Spot: the deer who becomes a rescuer · Gay-Neck: a king who asks to be freed last.

University of Chicago Press, 1925; R. Shreevatsa’s reading transcription

Panchatantra, Book 3: Crows and Owls ↗

Pūrṇabhadra recension (1199 CE); English translation by Arthur W. Ryder (1877–1938), based on Johannes Hertel’s Sanskrit edition · Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925

Edition, attribution & rights
Source date
Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925
Accessed
2026-11-14
License / use
Underlying 1925 translation is public domain in the United States and under ordinary life-plus-70 terms; no license is assumed for modern host commentary or images.
Rights assessment
Used for original synopses and interpretation. No translation paragraphs, verses, scans, or illustrations reproduced. Bibliographic titles and page ranges checked against Frances Pritchett’s hosted 1925 edition index. This is a selected recension, not an exhaustive record of Indian storytelling.
Attribution
The Panchatantra, translated by Arthur W. Ryder, Chicago: University of Chicago Press, 1925, Book 3; online reading transcription by R. Shreevatsa.
Atlas use / modifications
Referenced for newly written explanations; no source images or translated passages reproduced.

Used in The rabbit who claimed to speak for the Moon · The cat who offered to settle a housing dispute · The three rogues and the Brahman’s goat · The snake who paid for a daily offering · The thief and the ghost who could not agree · The mouse-maiden and the search for the strongest husband · The cave that answered the jackal · Live-Strong: the infiltrator at the owls’ gate · Cloudy: the crow king who listens and performs · Foe-Crusher: the owl king who admits an enemy · Red-Eye: the counselor who chooses to leave · The moon’s reflection as a claimed royal presence · The cave that answers in the wrong voice.

University of Chicago Press, 1925; R. Shreevatsa’s reading transcription

Panchatantra, Book 4: Loss of Gains ↗

Pūrṇabhadra recension (1199 CE); English translation by Arthur W. Ryder (1877–1938), based on Johannes Hertel’s Sanskrit edition · Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925

Edition, attribution & rights
Source date
Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925
Accessed
2026-11-14
License / use
Underlying 1925 translation is public domain in the United States and under ordinary life-plus-70 terms; no license is assumed for modern host commentary or images.
Rights assessment
Used for original synopses and interpretation. No translation paragraphs, verses, scans, or illustrations reproduced. Bibliographic titles and page ranges checked against Frances Pritchett’s hosted 1925 edition index. This is a selected recension, not an exhaustive record of Indian storytelling.
Attribution
The Panchatantra, translated by Arthur W. Ryder, Chicago: University of Chicago Press, 1925, Book 4; online reading transcription by R. Shreevatsa.
Atlas use / modifications
Referenced for newly written explanations; no source images or translated passages reproduced.

Used in The potter whose scar looked like a battle wound · How Supersmart gained the elephant carcass.

University of Chicago Press, 1925; R. Shreevatsa’s reading transcription

Panchatantra, Book 5: Ill-considered Action ↗

Pūrṇabhadra recension (1199 CE); English translation by Arthur W. Ryder (1877–1938), based on Johannes Hertel’s Sanskrit edition · Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925

Edition, attribution & rights
Source date
Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925
Accessed
2026-11-14
License / use
Underlying 1925 translation is public domain in the United States and under ordinary life-plus-70 terms; no license is assumed for modern host commentary or images.
Rights assessment
Used for original synopses and interpretation. No translation paragraphs, verses, scans, or illustrations reproduced. Bibliographic titles and page ranges checked against Frances Pritchett’s hosted 1925 edition index. This is a selected recension, not an exhaustive record of Indian storytelling.
Attribution
The Panchatantra, translated by Arthur W. Ryder, Chicago: University of Chicago Press, 1925, Book 5; online reading transcription by R. Shreevatsa.
Atlas use / modifications
Referenced for newly written explanations; no source images or translated passages reproduced.

Used in The loyal mongoose and the bloodstained welcome · The four treasure-seekers and the turning wheel · The scholars who brought a lion back to life · The donkey who insisted on singing · The weaver who wished for another head and two more arms · The wheel beyond the last treasure.

University of Chicago Press, 1925; R. Shreevatsa’s reading transcription

Panchatantra: the narrative introduction ↗

Pūrṇabhadra recension (1199 CE); English translation by Arthur W. Ryder (1877–1938), based on Johannes Hertel’s Sanskrit edition · Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925

Edition, attribution & rights
Source date
Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925
Accessed
2026-11-14
License / use
Underlying 1925 translation is public domain in the United States and under ordinary life-plus-70 terms; no license is assumed for modern host commentary or images.
Rights assessment
Used for original synopses and interpretation. No translation paragraphs, verses, scans, or illustrations reproduced. Bibliographic titles and page ranges checked against Frances Pritchett’s hosted 1925 edition index. This is a selected recension, not an exhaustive record of Indian storytelling.
Attribution
The Panchatantra, translated by Arthur W. Ryder, 1925, author’s preface, pp. 13–15; R. Shreevatsa transcription.
Atlas use / modifications
Referenced for newly written explanations; no source images or translated passages reproduced.

Used in Vishnusharman: the teacher inside the book’s frame.

Frances W. Pritchett, South Asian literature resources

Panchatantra: Ryder 1925 edition index and scanned pages ↗

Arthur W. Ryder, translator; scanned edition hosted by Frances W. Pritchett · Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925

Edition, attribution & rights
Source date
Pūrṇabhadra recension 1199 CE; Hertel edition 1908; Ryder translation 1925
Accessed
2026-11-14
License / use
Underlying 1925 translation is public domain in the United States and under ordinary life-plus-70 terms; no license is assumed for modern host commentary or images.
Rights assessment
Edition metadata, book divisions and printed page ranges used to verify the bibliography. No host prose or scanned page imagery reproduced.
Attribution
Frances W. Pritchett’s presentation of The Panchatantra, translated by Arthur W. Ryder, University of Chicago Press, 1925.
Atlas use / modifications
Referenced for newly written explanations; no source images or translated passages reproduced.

Used in the source policy and editorial methodology.

Original visual assets

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