World mythology & recorded folktales500 entries / 10 collections

Izanagi: a creator who returns alone

Island-maker, bereaved partner, pursuer, and parent through purification are successive roles in one account.

A commissioned maker

Izanagi does not appear as the first being in the Kojiki. Earlier deities already exist when he and Izanami are instructed to consolidate the drifting land. Their spear produces Onogoro, and their union produces islands and deities. His authority therefore begins within a larger divine order. The account's creative work is shared, even though its explanation of their initial unsuccessful births gives precedence to his speech over Izanami's.

Source: Kojiki: Records of Ancient Matters, Chamberlain translation · Kojiki §§1–6

A grief that changes direction

The fire child's birth kills Izanami. Izanagi mourns, attacks the child, and then follows his partner into Yomi. His wish to retrieve her changes into flight when he sees her body. These actions should not be compressed into a single steady personality trait. Love, anger, fear, and the wish to survive move him differently at successive moments. The final barrier preserves his return while ending their former partnership.

Source: Kojiki: Records of Ancient Matters, Chamberlain translation · Kojiki §§7–9

New children, different responsibilities

His cleansing after Yomi produces further deities, including Amaterasu, Tsukuyomi, and Susanoo. He assigns them realms, but Susanoo's refusal to fulfill his role leads to another expulsion. Creation does not give the father complete control over what follows. This entry follows the Kojiki sequence rather than merging it with the Nihon Shoki's alternatives. Chamberlain's translated title, Male-Who-Invites, is an interpretive rendering of the name, not a separate deity or a complete explanation of his character.

Source: Kojiki: Records of Ancient Matters, Chamberlain translation · Kojiki §§10–12

Time & the surviving record
Period / witness
Kojiki presented in 712 CE; Chamberlain translation 1882. Narrative time is not a historical date.
Recording context
Kojiki, a Japanese court compilation attributed to Ō no Yasumaro from material recited by Hieda no Are; cited by Chamberlain’s numbered sections, not asserted as the origin of the tradition.

A recording location is not necessarily a story’s origin. Dates of texts, copies, and translations answer different questions.

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These references support the explanation above. Rights and edition notes are recorded individually.

Kojiki: Records of Ancient Matters, Chamberlain translation ↗

Ō no Yasumaro (compiler, as identified in the preface); translated by Basil Hall Chamberlain (1850–1935) · Court compilation presented 712 CE; translation published Yokohama, 1882

Edition & rights note