World mythology & recorded folktales500 entries / 10 collections

The peaches that stop pursuit

Food delays some pursuers in Yomi, but the final fruit drives a force back and receives an explicit protective charge.

Not all food acts in the same way

During Izanagi's flight, discarded headgear and a comb become grapes and bamboo shoots. A pursuer stops to eat them, buying time. At the pass, however, Izanagi takes three peaches and strikes or drives back the following forces with them. The fruit does more than distract a hungry enemy. The story makes a practical distinction between delay during flight and the reversal that permits him to hold a boundary.

Source: Kojiki: Records of Ancient Matters, Chamberlain translation · Kojiki §9, successive defenses

Gratitude becomes an assignment

Izanagi addresses the peaches after they help him, asking them to assist living people who encounter distress. He gives them a divine designation. The episode therefore turns one successful intervention into an announced future protective role. That role is stated inside the narrative; it is not necessary to infer a general symbolic meaning from the fruit's color, shape, or botanical properties.

Source: Kojiki: Records of Ancient Matters, Chamberlain translation · Kojiki §9, address to the peaches

A comparison should preserve the witness

Peaches also appear in later Japanese tales, including the peach-born child already represented elsewhere in the atlas. The shared fruit does not prove that those tales are simply this episode retold, nor identify a direct historical route between them. Here the emphasis is escape from the dead and assistance to threatened living beings. It remains distinct from the later story's birth, adoption, companions, and expedition.

Source: Kojiki: Records of Ancient Matters, Chamberlain translation · Kojiki §9; comparison limited to the peach’s explicit role here

Time & the surviving record
Period / witness
Kojiki presented in 712 CE; Chamberlain translation 1882. Narrative time is not a historical date.
Recording context
Kojiki, a Japanese court compilation attributed to Ō no Yasumaro from material recited by Hieda no Are; cited by Chamberlain’s numbered sections, not asserted as the origin of the tradition.

A recording location is not necessarily a story’s origin. Dates of texts, copies, and translations answer different questions.

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Read the sources

These references support the explanation above. Rights and edition notes are recorded individually.

Kojiki: Records of Ancient Matters, Chamberlain translation ↗

Ō no Yasumaro (compiler, as identified in the preface); translated by Basil Hall Chamberlain (1850–1935) · Court compilation presented 712 CE; translation published Yokohama, 1882

Edition & rights note